What the Hell Happened to Alicia Silverstone?

Alicia Silverstone - 2013

If you ever read the comments section of these articles, you’ve probably seen some discussion of “the Batman curse”.  Despite the fact that most of the Batman films have been successful, there does seem to be a trend of Batman actors ending up in What the Hell Happened articles.

Alicia Silverstone had a relatively short career that peaked in 1995 and came crashing down 2 years later in Batman and Robin.  Just about everyone associated with the franchise-ending Batfilm suffered some kind of career setback.

But while Chris O’Donnell has finally gotten himself a steady gig on TV and Arnold Scharzenegger retreated to politics, Silverstone’s career has yet to bounce back.

silverstone - wonder years

Silverstone’s first acting gig was as a guest star on the TV show, The Wonder Years.

She played Fred Savage’s dream girl which was type casting in 1992.

What the Hell Happened to Alicia Silverstone?

Silverstone’s film career began with 1993’s suspense flickThe Crush.

The Crush was part of a trend in movies that became popular after 1987’s Fatal Attraction.  The general theme is that a normal guy (in this case, Cary Elwes) meets a seemingly normal person who turns out to be a homocidal lunatic/stalker.

In The Crush, Silverstone is a deranged teenager who takes her vengence on Elwes after he spurns her advances.  Movies like The Crush are a dime a dozen, but the role brought Silverstone a lot of attention.

Silverstone - mtv movie award the crush

The following year, Silverstone won 2 MTV Movie Awards for her performance (Best Villain and Best Breakthrough Performance).  She was actually nominated for Most Desirable Female, but lost to Janet Jackson.  Perhaps it was because Silverstone was underage or perhaps it was that her character was batshit crazy.

Shortly after the release of The Crush, Silverstone appeared in a trio of Aerosmith videos from the band’s Get a Grip album.  The first video released was for the song Cryin’

That’s Stephen Dorff as Silverstone’s boyfriend and future Lost castaway Josh Holloway who steals her purse.  The video became one of the movie requested on MTV that year and won three MTV Video Music Awards including Best Video.

The middle part of the trilogy was Amazing featuring Jason London as Silverstone’s cyber love interest:

And the final installment in the underage trilogy, Crazy

This one co-stars Aerosmith frontman’s, Steven Tyler’s daughter, Liv who was transitioning from modeling to acting at the time.  Silverstone and Tyler are… um… I’m not sure.  Are they actually supposed to be teenage, lesbian con artists?  We see them shop lift and enter into an amateur striptease.  Yes, this is an Aerosmith video in which the lead singer’s daughter works a stripper pole while imitating some of her dad’s signature stage moves.  Maybe Creepy would have been a better title.  But the song and the video were a hit.

Next: Clueless and Batman and Robin

Posted on June 23, 2011, in Movies, What the Hell Happened?, WTHH Actress and tagged , , , , , , , . Bookmark the permalink. 362 Comments.

  1. I don’t believe in curses myself; I believe in results.

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  2. OBYTuary: Alicia Silverstone

    http://brightestyoungthings.com/articles/obytuary-alicia-silverstone.htm

    No “celebrities” were harmed in the writing of this column. Its purpose is to mourn the loss of their careers, status, and in all likelihood bank accounts. This is an homage to their life’s work, both well-received and utterly humiliating. I have the utmost respect for all of them, even if they no longer have respect for themselves.

    +++++++++++++++++++

    I recently stumbled across the episode of “The Wonder Years,” in which Alicia Silverstone played Kevin’s dream girl. What Would Winnie Cooper Do?

    “Are you busy Friday night? “Maybe. Maybe not.” I don’t even have that kind of cool. Mine would go something like this. “Are you busy Friday night?” “I’M OVULATING LET’S DO THIS.” Sure, Silverstone didn’t write that line but she delivered the hell out of it. It’s comforting to know that the weird way she moved her lips was always a thing. Almost as if she just had a mini-stroke…OF ACTING GENIUS. She’s out of the limelight today, but let’s revisit our favorite Alicia moments on the Silver(stone)screen.

    I didn’t even know about that little cameo on “The Wonder Years.” My earliest Silverstone memory is of her chilling performance in the 1993 film “The Crush,” starring alongside Cary Elwes of “The Princess Bride,” fame. Get stalked by an insane 15 year old girl? As you wish. She was disturbing beyond belief and I vividly remember feeling very uncomfortable during all of her weirdly sexy scenes. This performance garnered her an MTV Movie Award for Breakthrough Performance but she should have won Best Fatal Attraction Performance Without a Rabbit. By the way do not Google Image today’s Cary Elwes. Tuck away the memory you have from “The Princess Bride.” This fan video is creepy and reminds us of how inappropriate this George Michael song is.

    Then Silverstone flipped roles by playing the victim in what feels like a prequel to “Fear,” in the movie “Hideaway” which also contained the statuesque beauty that is Jeff Goldblum. Let’s take a minute to appreciate Jeff.

    This movie is like a weird sci-fi fantasy/horror film about a man (Goldblum) who almost dies in a car accident, when revived he discovers he has visions of a serial killer whose eyes he can now see through. But guess what? The killer can see through his eyes too and he wants to kill/love a very adorable Alicia Silverstone, who plays Goldblum’s daughter. Watch this if you’re hungover and you come across it on OnDemand.

    And now the crown jewel in the Silverstone cinematic dynasty….1995’s “Clueless,” written/directed by Amy Heckerling and somewhat in the neighborhood of Jane Austen’s “Emma.” This movie was perfect and despite all the 90’s glory that comes with it, still holds up today. It also starred Paul Rudd (Josh) as Silverstone’s (Cher) stepbrother turned boyfriend in the film (we were all slightly horrified by this and the last scene which involved so much tongue during the kiss). It also stars Brittany Murphy (RIP), Stacey Dash and a young mostly stoned Breckin Meyer. I spent the majority of this film coveting Silverstone’s wardrobe and hair. To this day it remains one of the most quotable films of all-time. I stand by that. Observe:
    •Josh: We might get Marky Mark to plant a celebrity tree.
    •Cher: Oh how fabulous. Getting Marky Mark to take time from his busy pants dropping schedule to plant trees. Why don’t you just hire a gardener?
    •Josh: You know, maybe Marky Mark wants to use his popularity for a good cause – make a contribution. In case you’ve never heard of that, a contribution is…
    •Cher: Excuse me, but I have donated many expensive Italian outfits to Lucy, and as soon I get my license, I fully intend to brake for animals, and I have contributed many hours to helping two lonely teachers find romance.
    •Josh: Which I’ll bet serves your interests more than theirs. You know, If I ever saw you do anything that wasn’t ninety percent selfish, I’d die of shock.
    •Cher: Oh, that’d be reason enough for me.

    And of course…

    Take a look at everything Brittany is wearing in that scene. Plaid flannel, dyed cranberry hair, taken from the “My So-Called Life,” collection. Searching for a problem with this film is as “useless as searching for meaning in a Pauly Shore movie.”

    Two years later she mistakenly joined the spotty Batman franchise by playing the role of Batgirl. God that was awful. I wanted to eat my own face. Never again. That same year she starred alongside Benicio Del Toro in the movie “Excess Baggage.” What’s that you ask? Who else was in it? Why Christopher Walken. It must have been a slow year for everybody but I love it because I mostly love bad films, exclusively. Also I’m a girl so I kept thinking “Did Alicia Silverstone gain weight?” the entire time. Years later, while at a party in Los Angeles; I met Benicio Del Toro. It was there that I told him that “Excess Baggage,” was my favorite film of his. I was 20. We madeout. So if you ever meet him, there’s your in.

    Oh God, then she did “Blast from the Past” with Brendan Frazier (sadly this was not a sequel to “Encino Man.”) and “Beauty Shop” with Queen Latifah. These are the only 2 terrible films in the world I do not like.

    Today she is best known for two things. The first is her extensive involvement with PETA. This makes her annoying by proxy. Right now she’s probably throwing red paint all over someone’s leather gloves. What she does best, however, is feed her goddamn kid like she’s a mother bird and it’s a tiny helpless baby in a nest. That’s right, she chews up the kid’s food then feeds it to him FROM HER MOUTH. I am very excited about his therapy bills. Also she named her kid Bear. Now that’s just the PETA talking.

    I just threw up in my mouth. If only I had a hungry kid to whom I could feed it.

    Oh well, it seems we’ve lost sweet Cher Horowitz forever. We’ll have to settle for our “Clueless” DVD’s and every subsequent Paul Rudd film. It’s enough to make you cry, then maybe bathe your kid with the tears or whatever.

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  3. If Reese can bounce back after going through a few potholes with Wild,wonder could some
    edgy or more offbeat project similar to that could help Alicia’s,perhaps????

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    • I think it’s unlikely for Alicia Silverstone, as her popularity was more condensed into one period, while Reese Witherspoon had sustained success in her career before slumping.

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    • I don’t believe or think that Alicia can “bounce back” per se like Reese Witherspoon, who has often been accused of “stealing” Alicia’s career. First and foremost, Reese has the caveat of being an Academy Award winner (Alicia on the other hand, was arguably never really that great of an actress to begin with, and just got lucky w/ “Clueless”) and a genuine box office draw (when Alicia had her chance to open a movie on her name post-“Clueless”, we got “Batman & Robin”, “Excess Baggage”, and “Blast from the Past”, which all bombed critically and commercially) at the peak of her success. Alicia simply made too many poor decisions (more than likely, burned a few bridges along the way) and Hollywood pretty much stopped given her chances (even though, “Batman & Robin” wasn’t entirely her fault).

      Secondly, Alicia at this phase in her life or career would be rather hard to market. Why would you pay money to see an actress, whose best movie and career peak was 20 years ago? More to the point, an actress who as of late, is in the news more for literally bird feeding her son and preaching to fellow parents (via a book full of “quack medicine”.) about the “evils of vaccination” in? Reese Witherspoon has simply enjoyed a more sustained success than Alicia Silverstone. Thus, only you grew up during the early-mid ’90s when Alicia was in her prime, who would really give a damn about her anymore?

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    • I think Silverstone is too far gone. Witherspoon had a relatively long and successful career that went through a rough patch. Now she’s taking a very active role behind the scenes which has facilitated her acting career. I think her future rests with the success of her production company more than anything else.

      Silverstone, on the other hand, was popular for a relatively short time and it was a long time ago. She’s going to continue doing her thing with her causes. She’s had some success with her healthy living initiative and her diet book. I think acting has taken a backseat to other things.

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      • I think what’s also in the way for Alicia is that she doesn’t seem to have enough of ambition to want to improve her acting career prospects. Alicia herself, even said that she “lost focus” (or something along does lines) of her career. I would think that after “Batman & Robin” she would’ve done what for example, Natalie Portman claims to have done after the “Star Wars” prequels made people think that she was a bad actress. That is work hard (whatever that may be) to prove people wrong. What further complicates matters is that Alicia is pushing 40, which is of course, kind of a “death sentence” for most actresses.

        I just think that Alicia perhaps isn’t versatile enough of an actress to really transition into character parts or more mature roles once it became apparent that her time as a leading lady was over and/or was too old to be an “ingenue”. I’m sure that I’m wrong because I haven’t seen all of Alicia Silverstone’s acting work, but she just more than often strikes me as somebody who is incapable of playing anybody besides herself or something that isn’t natural to her.

        I think I’ve already said that I strongly believe that this is why a role like her’s in “Clueless” was just about perfect (Amy Heckerling was really I believe able to play up her strengths and hid her weaknesses as an actress if that makes sense). Hell, her guest appearances on “Suburgatory” might as well had her playing “Alicia Silverstone” instead of “Eden”, but perhaps w/o the slightest hint of irony or self-awareness on either counts.

        Had her career not “crashed and burned” so quickly after “Clueless”, I would figure that Alicia would be perfect for female-centric romantic comedies (I’ve said elsewhere that Alicia Silverstone perhaps had the potential of being the “next” Meg Ryan or Goldie Hawn if she played her cards right). Unfortunately, Alicia I feel, didn’t entirely understand her appeal (I have no clue why she chose “Excess Baggage” as her big post-“Clueless” vehicle) during her prime years. What doesn’t help matters is that “light” teen movies like “Clueless” don’t seem to be in vogue anymore as well as the romantic comedies that I’ve mentioned prior.

        I would suggest that Alicia try to go to TV (and try starring in a sitcom) but as far as I can tell, her attempts in that realm haven’t been so successful.

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        • NBC had high hopes for Miss Match,but was a victim of its Friday time slot alongside
          George Lopez on ABC,The WB’s Reba & CBS’ Joan of Arcadia among others…..wonder
          a stint on a show like Girls,Transparent or Orange is the New Black would raise her
          spirits career-wise,perhaps?????

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        • Those would all be good career moves. I’m sure there’s a show like that out there that would hire her if she was inclined to do so.

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        • I think I’ve said previously that Alicia more than likely didn’t do herself any favors (from a television standpoint at least) by abruptly walking out of a planned arc for “How I Met Your Mother” simply because she didn’t want to share the spotlight w/ Britney Spears (ironic considering that Alicia herself, was basically, a glorified music video vixen in the early part of her career). It almost reminds me of Debra Winger walking out of “A League of Their Own” (she was supposed to play Geena Davis’ part) because she didn’t want to work w/ a “non-actress” like Madonna. Why would TV producers logically want Alicia for another TV show if she has proven to be unreliable (at least over extremely petty matters like whom you have to work with and the exact merits of such a thing)?

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        • Wasn’t Brit a last-minute addition that made Alicia bolt,perhaps????

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        • I guess things have gone full circle in like of Britney Spears’ recent collaboration w/ Iggy Azalea (for the song “Pretty Girls”), who now famously paid homage to “Clueless” in her “Fancy” video.

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        • Monster Crap Inductee: Batman & Robin (1997)

          http://monster-crap.blogspot.com/2015/04/monster-crap-inductee-batman-robin-1997.html

          This film and Excess Baggage proved that Alicia Silverstone was no box office success story and more box office poison so now she is doing smaller films, along with being an animal rights and environmental activist.

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        • Batman & Robin (1997) : Why do people say this ruined the actors’ careers?

          http://www.imdb.com/title/tt0118688/board/thread/243268157?d=243268157#243268157

          Everyone talks about how this movie ruined the careers of its actors, but I think that’s not entirely true.

          Clooney became a bigger and more critically-acclaimed star after this movie, having starred in many great films such as The Ocean’s Movies, Three Kings, O Brother, Where Art Thou?, Michael Clayton, Up in the Air, Fantastic Mr. Fox, Gravity, The Ides of March, and The Descendants
          Schwarzenegger only stopped making movies for a while so he could focus on his political career, but still continued to have box-office success
          Thurman continued to make critically acclaimed movies such as Gattaca, Les Miserables, and the Kill Bill movies but slowed down a bit to focus on motherhood
          O’Donnell and Silverstone are in the same category as actors such as Jamie Kennedy, Freddie Prinze Jr., Sarah Michelle Gellar, and Matthew Lillard, who were really only somewhat popular in the 1990s/early 2000s and today only act either as cast members of TV shows or small roles in movies. This film didn’t really hurt their careers as much as them just simply losing popularity with time.

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    • Let’s All Imagine an Alternate Clueless Cast, Starring Reese Witherspoon, Ben Affleck, and Dave Chappelle:
      http://www.vulture.com/2015/06/what-if-reese-witherspoon-starred-in-clueless.html

      By E. Alex Jung

      What’s better than playing “What if?” castings with nostalgic ’90s classics? Vanity Fair provides the fodder for our collective imagination in this oral history of Clueless, where writer and director Amy Heckerling, Fox casting director Carrie Frazier, and the rest of the cast discuss the casting process, which could have led to some mind-blowing combinations. Heckerling had her heart set on Alicia Silverstone, but Fox wanted her to consider other options, like Reese Witherspoon, Angelina Jolie, Gwyneth Paltrow, or Keri Russell. For the part of Josh, Cher’s stepbrother-lover, they looked at Ben Affleck and Zach Braff before settling on Paul Rudd. For the part of Murray (played by Donald Faison), they looked at Terrence Howard (!) and Dave Chappelle (!!). You may imagine an alternate timeline where Dave Chappelle went on to star on Scrubs.

      Cher: At the behest of the studio, Heckerling considered the following women for the role that would eventually go to Alicia Silverstone: Reese Witherspoon, Angelina Jolie, Alicia Witt, Tiffani Thiessen, Keri Russell, and Gwyneth Paltrow.

      Josh: Carrie Frazier was “really trying” to get Ben Affleck the part. Zach Braff read for the role while he was still a student at Northwestern.

      Murray: Terrence Howard was a “top contender,” and while Heckerling was a fan of Dave Chappelle, she decided he was ultimately “too edgy” for the part.

      Amber: Sarah Michelle Gellar had been offered the part, but she was filming on All My Children, and they wouldn’t let her out for a couple of weeks to film.

      Travis: Seth Green was up for the part against his BFFL Breckin Meyer.

      Tai: Alanna Ubach was Seth Green’s girlfriend at the time, and sadly, they both lost out on the chance to transfer their IRL romance to the screen.

      Mel: Jerry Orbach. Detective Briscoe!

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      • Angelina Jolie And 5 Other Actresses Who Almost Played Cher In Clueless:
        http://www.cinemablend.com/new/Angelina-Jolie-5-Other-Actresses-Who-Almost-Played-Cher-Clueless-71926.html

        By Brent McKnight 7 hours ago

        If you’re of a certain age, Amy Heckerling’s 1995’s teen comedy Clueless is a definitive piece of cinema. It both captured and defined a particular moment in popular culture, and beyond, and introduced the world to Alicia Silverstone and Paul Rudd. And it also made people say “as if” too much. But it could have been a very different movie as there were a slew of young actresses in line for the lead role of Cher, including Angelina Jolie.

        To mark the 20th anniversary of Clueless, Vanity Fair published an expert from Jen Chaney’s oral history of the update of Jane Austen’s novel Emma (for as different as they are, the two are remarkably similar). Over the course of the interviews, which include Heckerling, Silverstone, Rudd, producer Twink Caplan (who also plays Miss Geist), and tons of other players, it comes out that not only was Jolie in the running for the Cher part, but so were Alicia Witt, Tiffany Amber Thiessen, Keri Russell, Gwyneth Paltrow, and Reese Witherspoon.

        Heckerling says she had her heart set on Silverstone for the role. However, when the project was still at Fox, where it was originally being developed a TV show and was once called I Was a Teenage Teenager, the studio wanted her to look at more options, which is how she came to check out others on the list. Silverstone became a sizeable star, but it’s crazy to look at the names on this list and see what they’ve all done in their own non-Clueless careers.

        Angelina Jolie, of course, went on to become one of the biggest female movie stars on the planet, collecting a slew of awards hard wear along they way, like her Oscar for Girl, Interrupted. Not only is she still a box office juggernaut on screen, fronting hit movies like Maleficent, she’s also started directing prestigious movies like Unbreakable and an upcoming ivory poacher drama that has awards bait written all over it.

        Alicia Witt first came to the attention of the general public in the mid-1990s as the daughter on Cybill Shepherd’s sitcom Cybill, and has worked steadily in TV and films ever since, including a long run on Law & Order: Criminal Intent, acclaimed high school football drama Friday Night Lights, and a stint on FX’s modern western noir Justified, just to name a few. We’ll also always lover her because of her turn in John Waters’ Cecil B. Demented.

        Best known as Kelly Kapowski, the perky cheerleader and object of affection for both Zack Morris and A.C. Slater on teen sitcom Saved by the Bell, Tiffani Amber Thiessen (now just Tiffany Thiessen, though we can never call her that) is as busy as ever. She went on to have a lengthy run on Beverly Hills 90210, USA’s White Collar, and even reprised her role as Kelly in an awesome bit on The Tonight Show earlier this year.

        When she came to prominence on the J.J. Abrams-created Felicity, Keri Russell was known as the girl with the big hair—it was quite a to-do when she cut it all off. After working steadily, though never becoming a huge star, Russell has been kicking ass, figuratively and literally, on FX’s fantastic The Americans, and even reteamed with Felicity co-creator Matt Reeves for Dawn of the Planet of the Apes last year.

        Since not appearing in Clueless, Gwyneth Paltrow has done pretty well for herself, appearing in a string of Marvel movies, winning all kinds of critical acclaim, and even took a foray into TV and singing with Glee. Sure, she’d probably rather we don’t talk about Shallow Hal, but that Academy Award for Shakespeare in Love must go a long way to helping her not care too much about that.

        Reese Witherspoon starred in her own definitive, though admittedly very different, high school movie, 1999’s Election (and Cruel Intentions the same year). Ever since, she’s been wowing audiences in a variety of roles across numerous genres in big and little films (though maybe let’s not dwell to long on Hot Pursuit). She won an Oscar for her portrayal of June Carter Cash in Walk the Line and even founded a production company with the express goal of finding and creating quality roles for women in movies.

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  4. Well,what’s really next for her…….Dancing with the Stars,perhaps?????

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    • Looking over Alicia Silverstone’s filmography, I’m very surprised at how little her films have received a wide theatrical release much less those that involve her playing a predominate role (“Blast from the Past” seemed to be Alicia’s last shot at being a proper leading lady). To add insult to injury, she has had numerous failed TV pilots to go w/ the single season run of “Miss Match”. It does make be believe somewhat that Alicia may have been blackballed of sorts as “payback” for her ill-fated $10 million w/ Columbia. Had Alicia not made such a landmark, classic teen movie like “Clueless” and not taken part in arguably, the most notorious superhero movie ever made in “Batman & Robin”, it would be a miracle that any of us would actually know who Alicia Silverstone is in the first place.

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      • Top 10 Acting One-Hit Wonders:

        Sometimes actors have a breakthrough but are never able to reach that zenith again. Join http://www.WatchMojo.com as we count down our picks for the Top 10 Acting
        One-hit Wonders.

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      • Clueless is 20 years old: Where are the stars now?

        http://metro.co.uk/2015/01/27/clueless-is-20-years-old-where-are-the-stars-now-5036776/

        Previously best-known for her appearances alongside Liv Tyler in several Aerosmith videos, Alicia Silverstone was expected to become one of Hollywood’s ultimate leading ladies following her charming lead performance as the ditzy-but-sweet natured Cher Horowitz.

        Sadly, she struggled to shake off her Valley Girl persona, and after a string of flops both on the big screen (Batman & Robin, Excess Baggage, Blast From The Past) and small-screen (Miss Match), she largely disappeared off the radar.

        A reunion with Heckerling on 2012 horror comedy Vamps failed to reignite her film career, although she has received acclaim for her performances in several Broadway productions.

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        • 9 franchise-starting young adult films that struggled:
          http://www.denofgeek.us/movies/young-adult/244957/9-franchise-starting-young-adult-films-that-struggled

          Stormbreaker

          Admittedly, this one is more skewed towards younger children and there’s a debate to be had over whether Stormbreaker is technically young adult, but the film is a lot more mature. Directed by Geoffrey Sax (of the Doctor Who TV Movie fame), Stormbreaker adheres strictly to Anthony Horowitz’s original plot (the author himself penned the script) and while it is considerably more enjoyable than a lot of the other films on this list, it’s easy to see why it was never followed up.

          Alex Pettyfer brims with charm and likeability as the slightly reserved but savvy schoolboy Alex Rider who discovers that his only relative (played fleetingly by Ian McGregor) was, in fact, an operative for MI6. Unusually for this kind of film, Alex takes his time before deciding to follow in his uncle’s footsteps, and is instructed by MI6’s frosty head to investigate an American businessman with a too-good-to-be-true plan to donate one of his brand new computer systems to every school in Britain. It’s a generic set-up for what The Weinstein Company evidently expected to be a runaway success (around the time of its release Stormbreaker was mooted as the next Harry Potter franchise) but there’s definite fun to be had, namely with Mickey Rourke’s moustache-twirlingly evil turn as the villain, and Clueless’ Alicia Silverstone as Alex’s nanny who gets a terrific fight sequence with Missi Pyle’s campy henchwoman.

          Does it have a future? Despite the hoopla fostered around its release in 2006, Stormbreaker simply didn’t garner enough capital to satisfy The Weinstein Company so a sequel was a no-go. Anthony Horowitz said in 2009 that the books “do not translate well to the big screen” and he last mentioned it in a 2014 interview with The Guardian’s children’s books site, stating, “Stormbreaker was not 100% successful and coming to terms with that was a bit sad.” More’s the pity.

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        • Forever Young: ‘Vampire Academy’ and ‘Vamps’ Chase a Dying Trend:
          http://grantland.com/hollywood-prospectus/forever-young-vampire-academy-and-vamps-movie-reviews/

          But let’s not condemn all things vampire-related. Amy Heckerling’s Vamps, which came and went in 2012 without much fanfare, is actually a hidden gem. It’s another vampire-themed sis-mance, starring Heckerling’s Clueless muse Alicia Silverstone and B in Apartment 23’s Krysten Ritter as Goody and Stacy, two New York party girls who slake their bloodlust by drinking rats and mitigate each other’s boredom with living for centuries on end. Goody and Stacy were both turned into vampires sometime in their twenties, which means they live a fantasy life of being in college forever, never looking any older, and being free to go clubbing and chase boys every night. They are supportive and caring of each other, never competitive, and run rampant through the streets of New York together like a bloodsucking take on Frances Ha.

          Despite the breezy tone of Vamps, the subject matter allows Heckerling to take on some very heavy issues. What does it mean to get older in a culture that primarily values women for their youth and beauty? When do you give up on staying abreast of current pop culture and accept that you probably can’t keep up forever? Are there any advantages of becoming an older woman that outweigh the privileges automatically awarded to you as a cute young girl? Vamps never hammers too hard on these ideas. It has a much lighter touch on the subject of women and aging as seen through the supernatural than, say, American Horror Story: Coven. Heckerling doesn’t judge her characters for being shallow, nor does she equate a certain kind of superficiality with stupidity. She allows her characters to learn, grow, and become spiritually aware without losing their interest in fashion.

          At 37, Silverstone is in an age range where actresses are supposed to slink quietly into playing wives and mothers without complaint, while watching their male peers receive their meatiest roles yet. Vamps plays off this with one of the most romantic May-December relationships I’ve seen in a film recently, between Goody and Danny (Richard Lewis), who was her great love in the ’60s. While Danny moved on with his life and found new love, Goody, unable to age and change along with him, chose to leave without an explanation. She retreated back into her extended postadolescence, which takes the shape of a crash-pad apartment with coffin beds, the walls lined with posters and hipster memorabilia from every decade. Goody’s memories of past eras stack on top of each other, but to her they are all as immediate as when they occurred. She looks out at the New York landscape and can describe each iteration of a building, how it transformed from farmland to metropolis. Goody learns she can love each iteration of a person similarly. Wrinkles, weight gain, and no longer being young and cool don’t matter as much as her young-looking self had assumed they would. Decades later, she still sees Danny as the same handsome, charismatic guy he was when they were in love. He is still handsome and charismatic, just older and burnished by accumulated experience. Everything else is of secondary importance when you’ve fallen for someone’s soul.

          Vamps is a valentine to comedic actresses, female friendship, and allowing women to age on their own terms. Wallace Shawn and Sigourney Weaver turn in great supporting performances, Ritter and Silverstone generate incredible chemistry, and the explanations of the movie’s self-contained vampire mythology are mercifully brief. It’s bittersweet to think about what Silverstone’s career could have been like had Hollywood not declared her D.O.A. after Excess Baggage and Batman & Robin. She is as funny, winning, and pretty as she was as Cher Horowitz in Clueless. She doesn’t seem all that bummed to have traded in the screen-goddess treadmill of doom for life as a vegan hippie. It’s exactly what we’d hope might have happened to Cher after high school: She’d matriculate at some liberal arts college, and end up trading in material possessions for a more satisfying, less superficial life.

          Vampire Academy and Vamps both explore the fallacy of nostalgia, while demonstrating the impossibility of remaining current for all eternity. If you’re only as successful as your last big hit, what happens when the trends change? You can’t cling to one era of music, or one style of dialogue, but you’re destined to be most fond of whatever was popular when you were discovering your own taste, and it’s inevitable that you’ll find yourself unable to relate to the kids. Even if you feel like you still relate, the kids might see you not as a peer but as an uncool old grown-up, desperately trying to cling to memories of being young. Maybe you’ll actually be happier when you finally do let go.

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  5. I was just on the IMDB.com site (I kinda vacation there) after seeing the bracket matchup, and more recent post was “What happened to Alicia Silverstone”? I weighed in with my take, then recommended this site. Hey, I discovered this site through IMDB, so why shouldn’t others (I’m sure they have, I’m just being dramatic)?

    Like

    • Yeah TMC posts a lot of links on IMDB. There seems to be a lot of interest in Silverstone over there. Thanks for the promotion. Links and recommendations can drive a lot of traffic to the site. The busiest day the site has ever seen was the result of someone posting a link in a forum.

      Like

    • http://www.imdb.com/title/tt0112697/board/thread/209852280?d=239849155#239849155

      The success of Clueless was ironically the worst thing that happened to her it is because she signed 10 million contract with studio to make 3 movies with them and it went BAD. If she didn’t do that in parallel universe she could be so much better in movies like:
      Overnight Delivery (1998) instead of Reese Witherspoon
      10 Things I Hate About You (1999) instead of Julia Stiles
      Wild Things (1998) instead of Neve Campbell
      Cruel Intentions (1999) instead of Sarah Michelle Gellar or Reese Witherspoon
      Urban Legend (1998) instead of Alicia Witt
      Down to You (2000) instead of Julia Stiles
      Van Wilder (2002) instead of Tara Reid
      I’d much rather see her in those roles but…

      Like

  6. A Film Career Derailed: The Dark & Light of Cary Elwes:
    http://www.twcc.com/articles/2015/02/15/a/a-film-career-derailed-the-dark-light-of-cary-elwes

    With his blonde good looks and spot-on comedic timing, it’s not hard to imagine that Cary Elwes would be at home during any era of Hollywood. The British actor has proven himself adept at a number of genres, and really one of the questions has always been why he isn’t used more by directors. With a thriller (Indiscretion) and a dark comedy (Sugar Mountain) set to come out this year, Elwes is still working steadily. But we remember when the actor first made us swoon.

    The Crush

    Between being an Aerosmith video vixen and having her own pop culture moment in Clueless, Alicia Silverstone played a teenager with a dangerous attraction to her much older neighbor in The Crush. In what is really a pretty trashy story, Elwes plays handsome writer Nick Eliot without giving any hint he’s invited what’s happening to him. Of course, that also means that the memorable moments of the film belong to Silverstone’s obsessive crazy teen.

    .

    Like

  7. From now on, I’ll keep that in mind when I think of Alicia Silverstone; It will be my “Excess Baggage” of her.

    Like

    • 15 Movies That Ruined Careers:
      http://news.nster.com/4211-15-movies-that-ruined-careers.html?b=6

      #9 Excess Baggage

      Oh, Alicia. Sure do love Alicia Silverstone, but let’s make it clear – it’s not because of her acting abilities, although she does have them.

      High on the success of 1995’s Clueless, Silverstone seemed destined for the kind of superstardom associated with actresses of a higher caliber.

      Instead of that superstardom, the first and last film produced by Silverstone’s production company resulted in a Razzie nomination for the actress and a sudden death of acting opportunities.

      Excess Baggage is the worst thing an actress of Silverstone’s charisma could ever do to her career, but there’s no point in crying over spoiled milk.

      Like

  8. Silverstone in Top 10 Dumb Things Said by Celebrities

    http://www.watchmojo.com/video/id/13333/

    Like

  9. What happened to Alicia Silverstone?

    http://www.datalounge.com/cgi-bin/iowa/ajax.html?t=15206452#page:showThread,15206452

    All we know is that in 2012, during the trial of Russian band Pussy Riot, she wrote a letter to Vladimir Putin asking that vegan meals be made available to all Russian prisoners.

    Waiting for a reply?
    by: Anonymous replies 7 04/08/2015 @ 05:00PM

    Like

  10. Alicia Silverstone Finally Gets a Role Worthy of Her Talents:
    http://www.blouinartinfo.com/news/story/1129841/alicia-silverstone-finally-gets-a-role-worthy-of-her-talents#

    After an impressive breakthrough in the Amy Heckerling film “Clueless,” Alicia Silverstone’s promising career has languished in a series of poorly received movies such as “The Art of Getting By” and “Scooby-Doo 2: Monsters Unleashed.”

    She’s fared a bit better on Broadway, beginning in 2002, playing Elaine Robinson in “The Graduate” with Kathleen Turner and Jason Biggs. Silverstone followed that up with an agile turn in Don Margulies’s “Time Stands Still,” and then was part of the ensemble of the 2012 flop “The Performers.”

    But the actress, known for her vegan and animal rights activism, may have finally found a role worthy of her initial promise as one of the three sisters who enliven “Of Good Stock.” The dark comedy, written by Melissa Ross and directed by Lynne Meadow, will have its New York City premiere engagement at Manhattan Theatre Club’s main stage at City Center, beginning June 4 and opening on June 30. Jennifer Mudge and Heather Lind will play her siblings, while Kelly AuCoin, Greg Keller, and Nate Miller portray the men in their lives.

    “Of Good Stock” was a commission of the South Coast Repertory Theatre in Coasta Mesa, California, where it is currently enjoying a world premiere engagement through April 27 under a different creative team. Writing in the Orange County Register, critic Paul Hodgins called the play “a rollicking bittersweet comedy,” noting that Amy, the character to be played by Silverstone, is the most transformative of the dysfunctional bunch who’ve gathered in a Cape Cod house to celebrate the eldest sibling’s 41st birthday.

    “Suddenly the least likable sister is the story’s most achingly tragic character,” wrote the critic. “Amy’s glib self-absorption is a brittle carapace covering a broken heart.”

    Ross knows her scarred domestic terrain rather well, being a member of the adventurous Labyrinth Theatre Company that presented her New York City debut drama, “Thinner Than Water.” That work also mined the fraught nature of sibling rivalry and resentments. (Ross is currently working on another play, “Nice Girl”, to be presented at the Labyrinth some time this year.)

    One of the intriguing aspects of “Of Good Stock” is the ghosts hovering over the madness: a mother who died of cancer at age 40 — hence the loaded significance of the 41st birthday celebration of the cancer-stricken Jess — and Mick Stockton, the emotionally distant father who was a famous novelist a la J.D. Salinger or Philip Roth.

    Mick Stockton left not only a sizable literary legacy but also a Gordian knot of emotional despair from which his daughters attempt to loosen themselves.

    Only Amy, it would seem, might possibly escape the bonds that are thicker — or thinner? — than water.

    Like

  11. Alicia Silverstone’s WTHHT needs a serious update, especially considering that this coming July will mark the 20th anniversary of the release of “Clueless”. For example, at the end of the article, it says that Alicia CURRENTLY has a recurring role on the show “Suburgatory”. “Suburgatory” ended after three seasons in the 2013-14 season.

    I would also like LeBeau to add the following info:
    *Alicia having to become legally emancipated from her parents in order to work on “The Crush”.

    *Alicia never formally auditioning for “Clueless”. As legend has it, Amy Heckerling told her casting director to “get the girl from the Aerosmith videos”. Also Alicia was at first very reluctant to take on the role because she felt that she couldn’t identify with a materialistic character like Cher Horowitz.

    *A correction regarding the info for “The Babysitter”. It was initially released direct-to-video but was then given a quick theater release to capitalize off of Alicia’s success w/ “Clueless”.

    *Some more info on the allegedly troubled production of “Excess Baggage”.

    *Alicia allegedly snubbing Elisabeth Hasselbeck while as a guest on “The View”.

    *Alicia abruptly bowing out of a scheduled gig on “How I Met Your Mother” in protest of having to act alongside Britney Spears.

    *The backlash surrounding Alicia’s parenting book “The Kind Mama”.

    *Alicia writing a letter to Russian president Vladimir Putin regarding Pussy Riot and their apparent need for vegan food.

    Like

    • June 9’s essential film writing:
      http://thedissolve.com/news/5919-june-9s-essential-film-writing/

      Over at Vanity Fair, our own Jen Chaney has the definitive oral history of how Clueless became an iconic ’90s classic:
      “Carrie Frazier, Clueless casting director at Fox: I brought in Alicia Silverstone—I sent Amy a videotape of a young actress [who] I felt was really terrific.

      Amy Heckerling: I was watching an Aerosmith video of ‘Cryin’.’ That was the first video she was in. And I just fell in love with her. Then my friend Carrie Frazier said, ‘You have to see this girl in The Crush.’ And I was like, ‘No, I want the Aerosmith girl.’ Well, it was the same girl.

      Alicia Silverstone, Cher: I remember when I read the script the first time, thinking, Oh, she’s so materialistic—that I was judging [Cher] instead of being delighted by her. I remember thinking, This is so funny and I’m not funny. But once I was playing her—I just had so much fun being her. I loved how seriously she took everything. That’s essentially how I played it…. I felt like that was [who] Cher was. She was so sincere and so serious. And that’s what I think makes her so ridiculous and lovely all the time.”

      Like

      • Read This: A way detailed oral history of Clueless:
        http://www.avclub.com/article/read-way-detailed-oral-history-clueless-220623

        By Kayla Kumari Upadhyaya
        Jun 9, 2015 3:00 PM

        As we continue to celebrate 1995 Week here at The A.V. Club, Vanity Fair has published an excerpt from Jen Chaney’s book about one of 1995’s iconic films: Clueless. Adapted from Chaney’s As If!: The Oral History of Clueless, As Told By Amy Heckerling, The Cast, And The Crew, this abridged oral history looks at how the Amy Heckerling-directed comedy became a 1990s cult classic.

        In 1993, Heckerling started developing a TV show for Fox centered on a group of popular kids at a California high school. The project—then called No Worries, and later, I Was A Teenage Teenager—went from potentially being a television series on Fox to potentially being a Fox feature film to potentially not happening at all. Heckerling went through a frustrating process of rejection before the project landed at Paramount. Chaney’s article traces the casting process at Fox, the moment when Fox said “whatever” and killed the project, and the eventual restart at Paramount. In other words, the making of Clueless had about as much chill as Cher in the valley.

        Chaney’s article includes quotes from Heckerling, Alicia Silverstone, Paul Rudd, Stacey Dash, and several of Clueless’ producers. Her book will be published next month by Touchstone.

        Like

    • ‘Clueless’ Almost Starred Angelina Jolie, Terrence Howard, and Every Other Actor You Love:
      https://www.yahoo.com/movies/clueless-almost-starred-angelina-jolie-terrence-121123123382.html

      Imagine Clueless if Cher had been played by Angelina Jolie instead of Alicia Silverstone. You’d be justified in thinking “As if!,” but according to Jen Chaney’s new oral history of Clueless, Jolie auditioned for the role — as did Reese Witherspoon, Keri Russell, Tiffani Amber Thiessen, and Alicia Witt. In a Vanity Fair excerpt from the book, director Amy Heckerling reveals why she picked Silverstone to play Cher, the fashion-obsessed teenage matchmaker at the heart of the beloved 1995 high-school comedy.

      “I was watching an Aerosmith video of ‘Cryin’.’ That was the first video she was in. And I just fell in love with her,” says Heckerling. “Then my friend [casting director] Carrie Frazier said, ‘You have to see this girl in The Crush.’ And I was like, ‘No, I want the Aerosmith girl.’ Well, it was the same girl.”

      As soon as Silverstone auditioned, Heckerling knew her instincts were right. But to placate the studio, she and Frazier saw other actresses. One was Jolie, who submitted an audition tape, but was never really a contender. (“She was too knowing for what was needed for Clueless,” says Frazier, who later cast Jolie in HBO’s Gia.) Witherspoon, who met Heckerling for lunch to discuss the role, had a better shot. (“I did see some scenes of hers and went: Wow. She’s amazing. But Alicia is Cher,” says the director.) The studio also advised Heckerling to look at a rising actress in a movie called Flesh and Bone. “I never got to see her. I guess she was off on other things. That turned out to be Gwyneth Paltrow,” Heckerling says.

      In the end, Heckerling got her first choice: Silverstone, whom she loved from the moment she auditioned. “She was like 17, and she was just so adorable and sweet and really innocent,” the director recalls.

      A few other casting tidbits from the Clueless oral history:

      — Paul Rudd was one of the first actors to audition for the role of Josh, Cher’s environmentally conscious ex-stepbrother. The producers waffled on casting him, so he took a part in Halloween: The Curse of Michael Myers instead. After auditioning other actors, including Ben Affleck and Zach Braff, the Clueless team came back to Rudd — who was by that time done with Halloween.

      — Breckin Meyer competed for the role of stoner Travis with his real-life best friend Seth Green.

      — The late Brittany Murphy nailed her audition for the part of new-in-school misfit Tai. “When she came in, it was just like: Oh my God. Stop the press. This is the girl,” recalls Alicia Silverstone.

      —Donald Faison beat out his childhood friend Terrence Howard for the role of Murray, longtime boyfriend of Dionne (Stacey Dash). Heckerling also considered Dave Chappelle, because she loved his performance in Robin Hood: Men in Tights. “Donald had a much more kid-like energy,” Heckerling says of her final choice. “And Dave [had] a very cynical, grown-up, funny, comic kind of thing that I felt was maybe a little too edgy.”

      —Sarah Michelle Gellar was the top choice to play Cher’s bratty rival Amber, but she couldn’t change her shooting schedule for the soap opera All My Children. The role went instead to Elisa Donovan.

      Like

  12. I have a feeling you’ll be seeing more of this charming young actress… very soon. Currently, on Broadway. And just because no one in Hollywood is smart enough to put her in something credible doesn’t support a curse as much as it supports a closed-minded, monkey–see, monkey do, industry.

    Like

  13. ‘Clueless’: How the Greatest Clique of the ‘90s Transformed Into A Shakespearean Tragedy:
    http://www.thedailybeast.com/articles/2014/05/30/clueless-how-the-greatest-clique-of-the-90s-transformed-into-a-shakespearean-tragedy.html

    The tragic death of Brittany Murphy. Stacey Dash as a Fox News pundit. Alicia Silverstone’s transformation into bizarre self-help guru. What the hell happened to Cher and Co.?

    In April 2012, I had the pleasure of attending a special screening of Clueless at the Brooklyn Academy of Music. The 1995 film was shown as part of BAM’s “Hey, Girlfriend!” series, co-curated by Lena Dunham—a program that, in the words of the Girls creator, sought to focus on movies that depicted “realistic female relationships onscreen…inspiring in their tenacity and unparalleled in their complexity.” And “coincidentally,” she added, “these are the movies that made me want to make movies.”

    The screening of the irreverent teen classic, one that puts a delightful Angeleno twist on Jane Austen’s Emma, was a riot. You could barely hear the dialogue over the wildly enthusiastic crowd, which treated it like a quote-along: As if! Do you prefer fashion victim, or ensembly-challenged? We could certainly party with the Hai-ti-ans! You’re a virgin who can’t drive. The list, of course, goes on. But the highlight of the evening was the post-screening Q&A featuring writer/director Amy Heckerling, who also helmed Fast Times at Ridgemont High, and star Alicia Silverstone.

    Things began pleasantly, with the sardonic Heckerling discussing her battles with Fox, the project’s original distributor, who dropped Clueless when the filmmaker refused to change Josh (Paul Rudd), Cher Horowitz’s love interest, to her neighbor rather than her stepbrother—they found it too incestuous, and Scott Rudin swooped in and saved it. She also blasted the spate of “Katherine Heigl-y type things where women…have no reason to exist other than to get a guy.” But the chat took an awkward turn when Silverstone was forced to deflect a question by a dapper, accented journalist—presumably from a U.K. tabloid rag—who pressed the actress about the then-recent YouTube video of her feeding her baby by chewing up food and spitting it into the child’s mouth, and then a sad one when the pair was asked about the death of Brittany Murphy, who played the “tragically unhip” new girl in school, Tai Frasier.

    “It’s just such a shame,” said Heckerling, “and when you see her in full-screen and you can really see what she’s doing…it’s heartbreaking.”

    On Wednesday, the ’90s cultural touchstone was thrust back into the public spotlight when it was revealed that the actress Stacey Dash, a.k.a. Cher’s left-hand lady Dionne Davenport, had been hired as a Fox News contributor.

    “Stacey is an engaging conversationalist whose distinctive viewpoints amongst her Hollywood peers have spawned national debates,” Bill Shine, Fox News’ executive vice president of programming, said in a statement. “We’re pleased to have her join Fox News.”

    The news was met with a collective Excuse me, Ms. Dionne? from millennials like yours truly, who grew up worshipping the splendidly loquacious portrait of the halcyon ’90s, a self-described “Noxzema commercial” replete with skateboarding, “purple clogs,” and trips to the mall.

    But the shocking announcement also raised the following question: What the hell happened to the most amazing clique of the ’90s?

    Why should I listen to you anyway? You’re a virgin who can’t drive.

    After a string of minor parts on celebrated ’90s sitcoms Blossom, Party of Five, and Boy Meets World, Brittany Murphy was elevated to “one to watch” status with her turn in Clueless. She played Tai Frasier—the dorky new girl at Bronson Alcott High who’s adopted by popular gals Cher and Dionne as a pet project. The do-gooder pair give her a makeover, transforming the ugly duckling into a swan, and foist her on Elton (Jeremy Sisto), a Cranberries-obsessed rich kid, to help boost her popularity. After a “near-death experience” at the mall—it wasn’t—she becomes all the rage at school, and begins to throw serious shade at her adolescent Obi-Wan, Cher.

    In the wake of Clueless, Hollywood had a hard time placing Murphy, who alternated from edgy indies like Girl, Interrupted and Freeway, the latter offering the greatest Reese Witherspoon performance ever (her husband’s DUI video notwithstanding), to schlocky studio films like Don’t Say A Word, which is most notable for a bizarre scene where the schizo Murphy creepily whispers to Michael Douglas: “I’ll never te-ell…” But in Curtis Hanson’s 2002 film 8 Mile, based on the life of star Eminem, the actress finally graduated from playing mostly mentally deranged characters, appearing as the flawed-but-supportive love interest to the Detroit rapper. Murphy was then elevated to bubbly leading-lady status, but after a string of forgettable films—Just Married, Uptown Girls, Little Black Book—she was demoted to direct-to-video.

    Murphy married Simon Monjack, a British screenwriter, in May 2007, and the couple shared a house with her mother, Sharon. On Dec. 20, 2009, the Los Angeles Fire Department rushed over to the home after Murphy’s mother found her collapsed in the bathroom. She was unconscious and immediately transported to Cedars-Sinai Medical Center but during the ambulance trip, went into cardiac arrest. When the ambulance arrived at the hospital, she was pronounced dead. The public fingered Monjack as a possible suspect after the widower opposed an autopsy—claims that he vehemently denied.

    Following the autopsy, it was revealed that Murphy’s main cause of death was pneumonia, with anemia and several over-the-counter drugs also playing a factor. According to the coroner’s report, the death was ruled an accident because “possible adverse physiological effects of elevated levels of these medications cannot be discounted, especially in her weakened state.”

    On May 23, 2010, Monjack was found dead—also by Brittany’s mother—at the same Hollywood Hills home, and Assistant Chief Coroner Ed Winter revealed that he died “just like Brittany”—of pneumonia, anemia, and multiple drug intoxication.

    Murphy’s estranged father, Angelo Bertolotti, filed a lawsuit in early 2012 against the Los Angeles Coroner’s Office and the Los Angeles Police Department demanding additional toxicology reports be performed on his late daughter’s hair—probing the metals and toxins—to determine her cause of death. According to the Examiner, that private lab report came back in late 2013 and revealed shocking results:

    “Ten of the heavy metals evaluated were detected at levels higher than the WHO [The World Health Organization] high levels,” according to the Examiner. Testing the hair strand sample identified as ‘back of the head,’ we have detected ten heavy metals at levels above the WHO high levels recommendation. If we were to eliminate the possibility of a simultaneous accidental heavy metals exposure to the sample donor then the only logical explanation would be an exposure to these metals (toxins) administered by a third party perpetrator with likely criminal intent.”

    “Heavy metals,” noted the article, “can be commonly found in rodenticides (chemicals that kill mice or rats) and insecticides”—in other words: poison.

    According to The Hollywood Reporter, during Murphy’s final days, the couple took “extreme security precautions” because they believed “they were under surveillance by helicopters and their phone was bugged.” The toxicology report allegations, coupled with the matching causes of death, led to Internet speculation that Murphy and Monjack may have been murdered.

    Murray, I have asked you repeatedly not to call me ‘woman.’

    Stacey Dash was considerably older than the rest of the Clueless cast—27, compared to Silverstone’s 18—but turned in a hilarious performance as Dionne, the teen socialite with a love of ridiculous hats who, along with her partner-in-crime, Cher, was “named after famous singers of the past who now do infomercials.” She dates high schooler Murray (Donald Faison), much to Cher’s dismay, reluctantly participates in the makeover project with Tai (“She is toe-up… our stock would plummet”), and does NOT wear polyester hair.

    Following Clueless, Dash reprised her role as Dionne in the regrettable TV spinoff of the same name, which ran from 1996 to 1999, popped up in a handful of films you’ve never heard of, and in 2004, starred in the music video for Kanye West’s single “All Fall Down” (West was, at the time, signed to her cousin Damon Dash’s label). She posed nude on the cover of Playboy in 2006—at 40.

    In 2010, Dash filed for divorce from her husband, Emmanuel Xuereb, alleging years of abuse. A restraining order filed by Dash against Xuereb that year was obtained by TMZ, and in it, she claimed he “hit her in the face, head and body during their two-plus years of marriage” and that “a drunken Xuereb once violently pinned her down to a bed and threatened her, saying it would be the worst night of her life,” according to TMZ. Xuereb was ordered to stay 100 yards away from Dash and her two children (neither of whom are his).

    Two years later, at the height of election season, Dash—who had been existing in relative obscurity—fired off the following tweet in support of Republican presidential candidate Mitt Romney:

    The tweet took a lot of people by surprise, and the backlash was swift and brutal, with the actress receiving a ton of death threats over the social media network. She also received a bunch of publicity from the right, and from then on, Dash’s Twitter feed miraculously transformed into a conservative one, calling out Oprah for comparing the death of Trayvon Martin to that of Emmett Till, as well as Jay Z and Beyoncé’s trip to the “communist oppressive regime” of Cuba. She’d also claim to regret “naively” voting for Obama in 2008 “because he was black.”

    Dash’s transition to right-wing pundit seems curiously opportunistic, given her dire acting prospects. This is, after all, the person who accompanied Jamie Foxx to the Oscars in 2010—and later hinted at a relationship between them—which many people derided as a publicity stunt. But hey, everyone’s gotta make a living.

    And so if the government could just get to the kitchen, rearrange some things, we could certainly party with the Haitians.

    Silverstone was cast as Cher, the Queen B of Bronson Alcott High, after Heckerling saw her in a trio of Aerosmith music videos—“Amazing,” where she gets down with Jason London on a motorcycle; “Crazy,” where she strips down with Liv Tyler; and, best of all, “Cryin’,” which ends with her faking a suicide by bungee-jumping off a bridge, before giving her boyfriend, played by Stephen Dorff, the middle finger. But her iconic turn in Clueless sent the MTV darling into the stratosphere. She subsequently signed a three-picture deal with Columbia-TriStar for up to $10 million (including performance-based incentives) and the media tore her to pieces.

    The opening salvo was at the 1996 Oscars ceremony, where Silverstone presented the award for Best Makeup. She’d put on a few pounds since Clueless, and the red carpet fashion experts were absolutely brutal. “At last month’s Oscars, fashion critics thought she looked more Babe than babe,” wrote Entertainment Weekly, referring to the pig movie. That same EW article, titled “A Weighty Issue,” quoted an anonymous source claiming that Silverstone was desperately trying to get into shape for her Clueless follow-up—as Batgirl in Joel Schumacher’s Batman and Robin. “She’s lost 10 pounds, and she’s on her way to losing another 10,” the source said.

    When the film was released in 1997, news reports claimed that most of the scenes with Silverstone’s Batgirl were cut out because she’d gained weight during filming, and the press had a field day with it, cruelly dubbing her “Buttgirl.” The press was so vicious that Schumacher rose to his actress’s defense.

    “It was horrible. I thought it was very cruel,” Schumacher later told Newsweek of the media’s treatment of Silverstone. “She was a teenager who gained a few pounds—like all of us do at certain times. I would confront female journalists and I’d say, ‘With so many young people suffering from anorexia and bulimia, why are you crucifying this girl?’”

    If that weren’t enough, Silverstone was awarded a Razzie for her performance (she also became a vegan in 1998). And her final two films as part of the post-Clueless Columbia-TriStar deal, Excess Baggage and Blast From the Past, fizzled at the box office. She then tried her hand at the small screen, but her NBC sitcom Miss Match was canceled after 11 episodes, and Fox chose to pass on her subsequent pilot for Queen B, a sitcom which starred Silverstone as an ex-high school prom queen who struggles to adapt to the real world.

    In the mid-aughts, Silverstone married rocker Christopher Jarecki, and slowly morphed into a new age guru of sorts, posing naked for a PETA campaign in 2007, releasing a guide to vegan nutrition, The Kind Diet, in 2009, which became a New York Times bestseller, and of course that notorious premastication video she uploaded to YouTube, wherein she fed pre-chewed food to her son, Bear Blu Jarecki, from her own mouth.

    “People have been feeding their kids that way for thousands for years,” she said at the BAM Q&A. “It’s a weaning process. Honestly, when I posted the video I was not thinking, so maybe I was like Cher! I think it’s adorable and it makes me laugh every time he does it.”

    And Silverstone’s latest tome, The Kind Mama: A Simple Guide to Supercharged Fertility, a Radiant Pregnancy, a Sweeter Birth, and a Healthier, More Beautiful Beginning (gasp for breath), she claimed, among other things, that “kind foods”—plant-based foods—can help stave off cancer, tampons can cause infertility, and that processed foods may be the cause of postpartum depression.

    Fortunately for us, the enduring image of Silverstone, Dash, and Murphy will always be that of a trio of sartorially splendid teens smiling, laughing, and balancing several shopping bags while gliding through their sanctuary: the mall. And in conclusion, may I please remind you it does not say RSVP on the Statue of Liberty.

    Like

    • EXCESS BAGGAGE (1997) *

      http://www.edwinjahiel.com/excebagg.htm

      I have not followed religiously Miss Silverstone’s career, yet it seems to me that she has gained weight. Her baby fat is visible. She’s on the chubby side, like chorus girls of the 1940s. Her acting is also about the level of that of chorus girls of the 1940s. Or the 1950s. Or college students of many decades who are performing in an amateur play.

      Like

  14. Alicia Silverstone can’t believe it’s been 20 years since ‘Clueless’

    http://www.today.com/popculture/alicia-silverstone-amazed-clueless-20-year-anniversary-t28396?cid=sm_fbn

    Randee Dawn

    It’s been 20 years since Alicia Silverstone rocked our worlds as fashion-conscious Cher in “Clueless,” but no one — Silverstone included — could have predicted the cultural touchstone it would become.

    Like

  15. 10 Films That Probably Started As A Drunken Bet:
    http://whatculture.com/film/10-films-that-probably-started-as-a-drunken-bet.php/3

    Hideaway

    This is the Dean Koontz adaptation that so appalled the author that he had his name removed, which cost more in arbitration fees than he received for the screen rights.

    Dialogue such as “Even as a child, Jeremy was hopelessly psychotic, but he was still my son” must’ve been written over cocktails, as was the sequence where a blind character says, “I will see myself to the door.” And don’t even mention the scene where a cop tells Jeff Goldblum to take Alka Seltzer for his “gut feeling” that a woman is about to be murdered (which of course she is).

    Best of all, though, is the climactic fight in an abandoned amusement park where, for no reason that is ever made clear, Goldblum suddenly transforms into a levitating blue angel so that he can vanquish his opponent – a flying red CGI demon. Devotees of the novel were said to be “unimpressed.”

    Like

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