What the Hell Happened to Wesley Snipes?

Wesley Snipes

Wesley Snipes

At the top of his career, Wesley Snipes was an A-list action star who could also cross-over into comedy and drama as he saw fit.  Few actors can claim the kind of cross-genre success Snipes enjoyed.  But all that ended amid very public legal entanglements that ultimately landed Snipes in jail with a three-year sentence for failing to file tax returns.

If you take nothing else away from this article, remember this: No matter what anyone else tells you, you still need to file your taxes.


Wesley Snipes – Wildcats – 1986

Snipes made his screen debut opposite future co-star Woody Harrelson in the 1986 Goldie Hawn football comedy, Wildcats.  Amazingly, Wildcats was also Harrelson’s big screen debut.  Years later, the two would reunite as box office stars for two more films.  But here, they were both unkowns.

Wildcats is your typical Goldie Hawn comedy following the formula that was successful with Private Benjamin to lesser results.  Instead of the army, Wildacts finds plucky Hawn as the unlikely coach of an inner city high school football team.

Snipes and Harrelson became friends while filming Wildcats:

Most of the cats in Wildcats were black. Woody was only supposed to be in the movie early on, but Goldie liked him and he ended up with more and more scenes. We thought it was white favoritism. One of the football players, a Muslim from the Nation in Chicago, would whip on Woody every day. Woody couldn’t take it and came to me, “Look, man, what is all this black shit? Why’s he saying I’m the Devil? Do you think I’m the Devil?” We ended up with a friendship from that.

No one expects a movie like Wildcats to be good.  And it wasn’t.  It was the kind of bland, harmless comedy Hawn was known for in those days.  As Roger Ebert noted in his review:

Wildcats is clearly an attempt by Hawn to repeat a formula that was wonderfully successful in Private Benjamin: Wide-eyed Goldie copes with the real world. It was less successful in Protocol, and now it’s worn out altogether.

Wildcats opened in fourth place at the box office behind The Delta Force proving that even with the assistance of Snipes and Harrelson, Hawn was no match for Chuck Norris.

snipes - streets of gold

Wesley Snipes – Streets of Gold – 1986

Later that year, Snipes followed up Wildcats with another sports movie.

Klaus Maria Brandauer starred as a Russian immigrant who was denied the opportunity to join the Soviet national boxing team because he was Jewish.  When he comes to the US, he ends up coaching boxers played by Snipes and Adrian Pasdar.

At the time of the movie’s release, Brandauer was the star.  But later video releases would emphasize Snipes’ supporting role.

Critics complained that Streets of Gold was overly formulaic.  Roger Ebert lamented that the movie ultimately fell into the Rocky trap:

Streets of Gold is a movie that begins with a story that’s genuinely interesting. But then it gradually loses confidence and starts to depend on clichés, and by the last 20 minutes it’s on automatic pilot. Too bad, because this could have been a good one.

The boxing drama opened in ninth place at the box office behind Stand By Me which had been in theaters for 15 weeks by that point.  It barely edged out Top Gun which had been playing for more than six months!

Wesley Snipes - Miami Vice - 1986

Wesley Snipes – Miami Vice – 1986

Meanwhile (yes, we are still in 1986!) Snipes was also paying his dues on TV.  Most notably, he played a pimp on the 80’s TV sensation, Miami Vice.  Bill Paxton also appeared in the episode as a cop who falls in love with one of Snipes’ working girls.

Around this time, Snipes was also in consideration for the role of Geordi La Forge on Star Trek: The Next Generation.  Proving that sometimes things work out for the best, the role ultimately went to LeVar Burton.

Wesley Snipes - 501 Blues Commercial - 1986

Wesley Snipes – 501 Blues Commercial – 1986

In 1986, we all had a bad case of the blues – the 501 blues that is!  Snipes had contracted a worse case than most.  His love of Levi’s blue jeans had him dancing down the street and losing his hat in this 1986 commercial.

Next: Bad and Major League

Posted on August 4, 2012, in Movies, What the Hell Happened?, WTHH Actor and tagged , , , , , . Bookmark the permalink. 84 Comments.

  1. Great article! Kinda sad that his ‘best’ movie was Blade.

    But, hey, when Snipes gets done with his prison ‘tickle fights’ (by that, I mean rape) we can have a Blade 4! Yayyy!


    • Glad you liked it!

      Once he decided to be an action star, I’d say Blade was his best movie. Before that, it’s debatable. He had the potential to be a great comedic or dramatic actor. We can only speculate about what might have been if he had stayed away from the action movie paydays (and of course, paid his taxes).

      Snipes very definitely wants to make Blade 4. Can you blame him? But I have my doubts. The film rights have reverted to Marvel/Disney who have a full plate of more traditional super hero movies. One that don’t have to contend with R-ratings and tax-evading egomaniacl stars.

      My guess is that we will see Blade again on the big screen some day. But I bet it will be in a reboot. Everything gets rebooted and the Snipes-Blade has too much baggage.


    • Seriously? That’s an issue to joke about.


  2. You are probably right, but I was kidding about Blade 4. I saw Blade in the theater and kinda liked it at the time. Silly old me.

    I really enjoy your ‘what the hell happened’ posts. You’ve reminded me how much I used to look forward to flicks with actors like Val Kilmer (douche canoe) or Elizabeth Shue (such a hottie back in ’95)

    Which in turn reminds me how friggin’ old I am. So…thanks for that.


    • lol – You’re welcome, I think. I have the same reaction though as I realize just about every actor or actress I grew up following has fallen into relative obscurity.


  3. Thanks for the info about Wesley Snipes. Sitting here watching Major League wondering…”what the hell happened to him?” now I know.


  4. Danielle Charney

    I was wondering that myself of late, although I knew he was in prison- absurd- I know many who never file, no one has bothered them- I remember a movie- just tried to recognize it on IMBD and couldn’t find it- where he plays a slacker who moves in a rather straight woman who gets fed up with his flakiness – it was a small film with him playing a forcibly contained, yet explosive character- emotionally – he was great- I am not a big action movie person except for the odd film or late at night if nothing else is on or I love the oddness of approach of the director- it’s always good to see these huge action guys in the smaller role- like Willis in Nobody’s Fool- he is still snarky and Willis but it reminds me of the earlier actor who was so good- thanks for the post-


    • Glad you enjoyed it.

      Lots of folks can fly under the government’s radar. But when someone in the public eye is making as much money as Snipes, they better at least file! Although it does seem like Snipes was probably mislead by a couple of charltans to some degree. And these guys are serving longer sentences than Snipes.

      Also, it’s entirely possible that Snipes’ race played a factor in being singled out. I won’t comment one way or another except to say it’s possible.

      But I definitely agree that Snipes was a better actor than his action movies indicate. He brought a lot of energy to his comedic and dramatic roles.


  5. wesley played a great villian in demolition man. i loved us marshals, rising sun, money train, blade, murder at 1600, passenger 57 and white man can’t jump.


  6. Gotta admit I enjoyed some of his lesser titles: Murder at 1600, Rising Sun, Art of War. I have all of them in my collection; they’re good popcorn, filler flicks when nothing else is happening. The Blade trilogy was decent and came before the explosion and popularity of the whole vampire genre which at this time has been wayyyy over done. Blade probably kicked the whole thing off in the first place. Always good to be first. Anyway, he puts out a decent movie most of the time. His tax issues were nutty; even with bad advice he’s a grown man and should have known better. Everybody better have a healthy respect for the ole IRS whether you like it or not. Many a scofflaw has learned the hard way!


  7. I’d have to say that To Wong Fu was Wesley Snipes’ best movie because it was a role entirely out of the spectrum from which he typically played. I think the Blade series may have been his most successful movies, but not really his best work. I do appreciate you sharing all of his work though; it’ll make it easier for me to add all of his movies to my Blockbuster @Home queue. It’s funny that I was talking about Snipes to the security guard at the Dish call center I work at, and neither of us could figure out why he hasn’t had any new movies recently. Wait’ll she hears that he’s been locked up this whole time!


    • I had a lot of respect for all three actors for for taking on roles that played against their screen images. Especially Snipes. I am not sure how well cast they were though. Not that I am an expert on drag queens, but Snipes and Swayze didn’t seem to have the right body type for it. I did think that they gave great performances against type. But the movie was a little formulaic. I haven’t watched it since.

      There wasn’t a lot to Blade other than snarling and looking bad ass. He did invest a lot of himself in the role though. A lot of odd touches and dialogue in the movie came from Snipes. For instance, the bit in the first movie where he cuts the roots off a plant for no apparent reason comes from some kind of Eastern philiosophy Snipes was into. And I believe Snipes was the author of the infamous “ice skate up hill” line at the end of the movie.

      I’m glad you enjoyed the article and that it clarified an issue for you and your security guard. Now, when is Dish going to get AMC back? ;)


  8. Murder at 1600…I watched about 5 minutes of it, and had to switch it off, it was sooo bad.


  9. “Jungle Fever”, one of his best dramatic performances, and loved him in “White Men Can’t Jump”. I guess he learned nothing from Willie Nelson’s troubles with the IRS..


    • Jungle Fever is sitting on my DVR waiting to be revisited. I remember enjoying most of it when it was released. My complaint was that it was a bit over-stuffed. White Men Can’t Jump is a great comedy.


      • I only just found out about your great blog a couple of days ago. Very entertaining. I have another story along the lines of the Patton Oswald story:
        An acquaintance from college went on to Hollywood to do CGI work in movies. His first jobs were the titles for “Batman Forever”, the cold-breath work for “Titanic”, and a bunch of work for “Blade”. He wasn’t too impressed with the movie, and the oddest thing about it was that Wesley Snipes refused to get wet. It was his job to digitally add blood on Mr. Snipes.


  10. Thanks for the article. Very informative and entertaining. When i googled ‘ what happened to Wesley Snipes’, i got all the information and more. So thankyou again :)


  11. Mathew “Film Brain” Buck’s “Bad Movie Beatdown” of “Blade Trinity”:

    Buck even did a whole “Bad Movie Beatdown” month of Wesley Snipes’ movies.


    • 10 Actors Who Are Certifiably Insane:

      8. Wesley Snipes

      It’s well documented that in recent times Wesley Snipes hasn’t been too hot on paying his taxes – hence him preparing to finish up a custodial sentence for it this July – but that isn’t exactly a sign you’re going nuts.

      However, Snipes’ behaviour on the set of his last big film, Blade: Trinity, certainly is; comedian Patton Oswalt reported that Snipes kept in character as Blade for the entirety of the shoot, which is rather at odds with the fact that he refused to come out of his trailer except for close-ups and other big shots. The result? Ryan Reynolds was thrown the ball to let loose with ad-libbing for his character Hannibal King, and that’s why so much of it appears in the final film.

      Snipes reportedly tried to strangle Goyer once, resulting in Snipes eventually opting to communicate with Goyer via post-it note. And guess how he’d sign each post-it note? You got it; Blade.



      Wasting the goodwill earned by the previous two Blade films on a muddled, poorly shot, tediously scripted mess

      Taking nearly two hours to never get to a point

      Using Dracula, the biggest vampire cliché in a genre full of really big clichés, as the main villain, and giving him lines like “Blade, ready to die?”

      Replacing You’ve Got Mail as the low point in Parker Posey’s cinematic career


    • Star Derailing Role:

      •Wesley Snipes in Blade: Trinity. His career was beginning to cool by the late 90s and early 2000s with the exception of the first two Blade films, which were box office successes. By the time the third movie came out, it received a negative reaction from both critics and fans alike, leading to a disappointing total. And it also doesn’t help that Snipes filed a lawsuit against New Line Cinema (which distributed the trilogy) and the film’s director David S. Goyer, claiming that they cut him out of casting decisions and filmmaking processes. After the film’s failure, Snipes appeared in a string of straight to DVD releases and didn’t make another theatrical appearance for six years (with the film Brooklyn’s Finest), plus he went to federal prison for tax evasion, an event which (along with Trinity) proved to be a Franchise Killer for Blade.



        Bryan Kristopowitz

        3. Wesley Snipes/David Goyer – Blade: Trinity (2004)

        This movie, of course, pretty much destroyed the Blade movie franchise, and while I mostly blame director/screenwriter Goyer for the flick’s absolute total failure of the movie to be any good (the only thing he got “right” in the movie were the action scenes, but even they couldn’t help the movie succeed), Snipes, as the star and a producer, should have never signed off on Goyer as the director. But at least Snipes tried to make a good movie. Sadly, after the flick’s failure, Snipes got all of the blame, ended up stuck in direct-to-DVD land, and almost went to prison for tax evasion. And Goyer? He’s still working. People are still actually giving him money to make movies, which is mind boggling. The Invisible sucked. So, while Goyer is still apparently the toast of the town, instead of remaining a pretty good screenwriter, he’s off making bad movies.


    • Superhero Rewind: Blade Trinity Review:

      “Blade Trinity,” (2004). Wesley Snipes, Jessica Biel. Directed by David Goyer.


  12. FRC Fallen Icon #1 – Wesley Snipes:

    But where is he now?

    Unfortunately for the star his life turned into what could have been a script from one of his movies. He was arrested in 2006 for tax fraud. It seems that Snipes forgot to file tax returns from 1999-2004! Which is a pretty big deal seeing as this was at the height of his career. He was finally convicted in 2008 and sentenced in 2010 for three years in jail, where he now resides.

    It would seem owing the U.S. Government $2.7 million is a bad thing. Now that seems like a lot of money, but let us put that into the context of earning $38 million for the period. Silly Wesley.

    Always pay your taxes kids!!

    Why does he deserve a comeback?

    Well Mr. Snipes was a great martial artist with a great screen presence. This is a guy that gave us Nino Brown, Blade, Simon Phoenix and John “Always bet on black” Cutter.He is very deserving of a comeback. As long as he gets a better accountant that is!! At 48-years-old, the man still can kick ass and we would like for him to enjoy a nice comeback like his friend Woody Harrelson has enjoyed the last couple of years. And I am not talking about a straight to DVD comeback either!!


  13. 25 A-List Hollywood Actors Who Fell the F Off:

    Wesley Snipes
    Best Known For: White Men Can’t Jump (1992), Blade (1998)
    Most Recent Project: Gallowwalkers (2012)

    Younger filmgoers best remember Snipes as the star of the Blade trilogy, but this guy was everywhere in the early ’90s. Jungle Fever. To Wong Foo, Thanks for Everything, Julie Newmar. White Men Can’t Jump. That’s the whole of the ’90s expressed in just three movies!

    Alas, Snipes did not give his cut to the Man. He’s now serving a three-year sentence for tax evasion in Pennsylvania.


  14. 10 actors who could use a Quentin Tarantino-steered comeback:

    Currently serving a three-year prison sentence for tax evasion at the McKean Federal Correctional Institution in Pennsylvania, Snipes is luckily at the tail end of his incarceration – and what better time to start weighing his career comeback options? Of course, the actor’s career slide started long before his conviction, with the last near-decade of resume mainly composed of direct-to-DVD dreck and the occasional middlebrow studio release (his last being the already-forgotten 2009 crime-thriller “Brooklyn’s Finest”). Snipes hasn’t been given an opportunity to showcase his chops in a long time, but lest we forget, his early resume is filled with critically-acclaimed performances in films including Spike Lee’s “Jungle Fever,” Mario Van Peebles’ “New Jack City” and Ron Shelton’s “White Men Can’t Jump.” Of course, with his colorful criminal history and gutter-trawling recent filmography, Snipes is the perfect candidate for a Tarantino-fueled comeback role. Luckily he’s got the bad-ass credentials (thanks mainly to his starring role in the “Blade” franchise) and dramatic versatility to pull it off.


  15. The Ebony article that ruined Wesley Snipe’s career:

    The Asian model and restaurateur he introduces as “my lady, Donna [Wong]” has been Snipes’ companion for the past year and a half When asked if he dates Black women, he says: “Primarily all of my life I’ve dated Black women…. Oh, most definitely. Oh, my God. Mostly. But it just so happens that now I’m dating an Asian woman. It’s different. Different energy, different spirit, but a nice person.” He says he is not ready for marriage; nor is Donna. “She’s got to learn to deal with the love scenes in the movies first,” says Snipes as he chuckles. “Got to get to a place where it’s very comfortable.”

    Wesley says he realizes that there are Black women still who get an attitude about Black men with Asian, White or Hispanic women. “I know we’ve all been hurt, and we’re all very wounded,” he says, addressing Black women. “We have to acknowledge that, both male and female, in the Black experience. We’re a wounded people. And we want to possess and we want to own. We don’t want to compromise. We feel like we’ve compromised enough. But in any relationship you have to compromise. There’s no way around it. And I say to Black women also, Brothers who are very, very successful, or who have become somewhat successful, usually it’s been at a great expense, unseen by the camera’s eye….

    “He doesn’t want to come home to someone who’s going to be mean and aggravating and unkind and who is going to be `please me, please me.’ He doesn’t want to come home to that. He doesn’t want to come home to have a fight with someone who is supposed to be his helpmate. So it’s very natural that he’s going to turn to some place that’s more compassionate…. You’ve worked hard and you deserve to come home to comforting. And usually a man who has that will appreciate it. Because I’ve never known one cat, all those cats I’ve hung out with and still hang out with, who found something that they really, really like and didn’t go back to it. They all go back. It’s very simple.”

    When asked for clarification, Snipes emphasizes that he is not saying that a Black woman can not be that type of woman a man wants to come home to. “Not at all,” he declares. “Absolutely not. That’s the point. I want to come home and I don’t want to argue. I want to be pleasing, but if I ask you to get me a glass of water, you’re going to say, `Them days is over.’ please. Come on,” Wesley says. “A man likes that. I don’t know why. It’s been that way forever. It makes him proud, you know, like when the guys come over and your lady comes out with a tray of food and says `I made this up for you.’ And the guys are like, `Oh man, you’ve got a great woman.’ And the man says, `Yeah, I do.’ A man will appreciate it when you’re kind and when you’re nice.

    “For successful women, it’s hard,” he continues, obviously quite comfortable and articulate on the subject of relationships. “The competition is fierce. And if he’s a man of success and power who happens to be handsome, of course you’re not the only one who thinks he’s handsome. But you don’t have to punish him because of that once you get with him. Don’t punish him because somebody else likes him.”

    Continuing with his openness, Snipes says he’s had his heart broken more than once, and at times by Black women. “Most definitely. Most definitely,” he says.


  16. I watched “One Night Stand” last year based on Film Brain’s review as part of Wesley Snipes month for Bad Movie Beatdown. When you looked at it, it had an interesting cast, with Snipes, Nastassja Kinski, Kyle MacLachlan and Robert Downey Jr. Plus it was directed by the guy who made “Leaving Las Vegas”. I checked it out, and it was pretty terrible.

    There’s no chemistry between Snipes and Kinski, I couldn’t even care about their problems, some of the characters are unlikable and the only person who puts a decent effort to the film was Downey. Apparently Joe Eszterhas was attached to write the script for this movie, but afer both “Showgirls” and “Jade” bombed while director Mike Figgis scored an Oscar nomination for “Leaving Las Vegas”, Figgis rewrote the screenplay entirely and Eszterhas refused to accept a writer’s credit. Now I’m kind of curious, what’s everyone history with “One Night Stand”?


  17. Lebeau, you should write a summary for this article – like the rest …


    • Yeah, I’m unhappy with this article in its current state. I go back and update articles from time to time. I’ve been doing a lot of that lately. This article needs sprucing up.


  18. I honestly do miss the talent and images of Mr. Westley and pray we will again be entertained by him in America … because he truly is a very extra special kind of actor
    that can not ever really be imitated. We still love you “Blade!”


    • I expect he will be making more direct to video movies as soon as his legal entanglements are completely behind him. We’ll probably even see him show up in mainstream movies or TV from time to time.


  19. 10 Actors Who Need To Stop Flogging A Dead Horse:

    1. Wesley Snipes

    Done To Death: Blade, and anything resembling Blade.

    Wesley Snipes was always an action guy, equally at home in dystopias and ganglands as long as the pace was fast, the gunfire heavy and the attitude flowing. He did appear in a handful of non-violent films, some of which are quite good, but mostly he stuck to his talents.

    He was sufficiently menacing as the vampiric vampire hunter Blade when the character first appeared in 1998, and soared in Guillermo del Toro’s sequel, but Blade: Trinity is without a doubt the worst of the series, and it was clear the appeal was waning. Now there’s talk of making that trilogy into a tetralogy, if only because Snipes wants to relive his days as Blade, which he already sort of did with 2012′s pathetic Gallowwalkers, which was basically just Blade with zombies instead of vampires.

    But is anyone really excited about watching an ageing Snipes coming back as Blade?


  20. 17 Career Comebacks We’d Love To See:

    Wesley Snipes
    Best known for: “Passenger 57” and other ’90s action hits.
    Last seen in: Leaving direct-to-DVD duds out, maybe “Brooklyn’s Finest”? But more likely? “Blade: Trinity.”
    Comeback plan: “The Expendables 3” will be Wesley Snipes’ big return after his time in prison and his apparent exile. But that’s not the ticket, Wesley. You’re in your 50s. You’re not going to be fronting action franchises ever again. But remember that guy who was in “Mo’ Better Blues” and “New Jack City” and “Jungle Fever” and “The Waterdance” and “Sugar Hill”? That guy could ACT. Snipes should make himself available for a meaty TV guest part, maybe on something like “Scandal”? Play Oliva Pope’s uncle or something and go head-to-head with Joe Morton? I’d watch that. Or how about a turn as a kingpin in FOX’s midseason drama “Empire”? Or some role in John Ridley’s ABC drama “American Crime”? Or “True Detective” Season 2, following in the footsteps of “White Men Can’t Jump” co-star Woody Harrelson? Remind people that you can do more than stake vampires and karate chop Euro-terrorists. Oh and pay your taxes. That’s probably important as well.
    – Daniel Fienberg


  21. Expendables 3 Robbed Us Of A Much-Needed Wesley Snipes Renaissance:

    By Gabe Toro 2014-08-18 14:21:17

    At the start of The Expendables 3, the crew breaks into a prison train to secure Doc, a wild-eyed killer played by Wesley Snipes. The actor, equally wild-eyed and ravenous, responds to his freedom by briefly zoning out. While the crew awaits him in their helicopter, he takes one look at them, then runs in the other direction. The rest of the group don’t try to pursue: Snipes is running away with the movie.

    For the first time in years, Snipes is free. Free from the mind-numbing obligations of cheap direct-to-DVD action movies, free of the demands of the Blade franchise, and finally just free: he spent a couple of years in prison for tax evasion, a conviction The Expendables 3 turns into a not-too-subtle joke. It’s as much a pleasure for him to be unshackled onscreen as it is for us to see him again, years passed his prime, that spark still alive in his eyes.

    Naturally, the movie treats him similarly to the other legends onscreen, chucking him to the scrap heap three scenes later.

    The casting announcement of Wesley Snipes for The Expendables 3 was maybe the most exciting that the franchise has had yet. Unlike most of the crew (no offense), Snipes could seriously ACT. While Stallone and Schwarzenegger were trying to outdo each others’ bombs, Snipes was working with Martin Scorsese, Abel Ferrara, Spike Lee and Mike Figgis. Snipes was this-guy-must-actually-be-a-comedian funny in Major League and ultimate cool in New Jack City. By the time he had his own movie franchise in Blade (a character almost entirely revamped to suit Snipes’ skillset), it felt like there was so much more to him than just kicking and punching people.

    Of course, action was what he did best, and in the later part of his career it was impossible to ignore. He had his own iconic vehicle in Passenger 57, a Die Hard variant where Snipes delivered the infamous bon mot “Always bet on black.” But he was a b-action movie star who dabbled in A-action: he was just at home sharing the screen with Sean Connery in Rising Sun as much as he was trading quips with (and, it must be said, out-acting) Sylvester Stallone in Demolition Man. Snipes, for a brief time, was a guarantee of quality. Handsome, funny and athletic, he was the perfect movie star.

    The Expendables has been a franchise that built itself on inevitability, on a formula enacted to a tee. But when Snipes’ Doc joins the group, suddenly the Frankensteined series is alive, brought to life by an errant bolt of lightning. Given his recent imprisonment (both Snipes’ and Doc’s), his character is a little unhinged, a little “off”, as he rambles on about the unseen “original” Expendables, shaving his beard off with a knife. The camaraderie is so strong in these movies that you rarely see the characters, and the actors, so absolutely vexed by another in their midst.

    It’s not a surprise that The Expendables has done very little for the profiles of some of the actors involved. Many of them went right back to the direct-to-DVD fare in which they had specialized, like Dolph Lundgren and Jean-Claude Van Damme. Others, like Stallone and Mickey Rourke, have continued slaving away at mainstream film to diminished returns. But if the third film were a Snipes showcase, you’d be reminding the world of one of the great leading men, and how he’s been missing. Snipes’ last film of note was Brooklyn’s Finest, something of a departure for him in that it wasn’t a quickie action film, several of which clouded his late-career resume. He’s no gimmick in that film, and it’s genuinely not bending over to honor someone when you tell the truth: Snipes easily holds his own against co-stars like Don Cheadle, Richard Gere and Ethan Hawke. Snipes’ conviction occurred during that period: even if producers could respond to his performance in that film, it was too late, and Snipes was about to enter the clink.

    Stallone and director Patrick Hughes let Snipes run wild in those opening scenes before, like the rest of the crew, he is fired. The resolution is that Stallone’s Barney Ross actually can’t do without the older crew, making them all indispensable. Snipes returns, but the third act is all bombast and routine: he barely has any lines, and doesn’t make his presence felt. His Doc is given a knife-wielding skill, which duplicates the abilities of Jason Statham’s Lee Christmas. Ultimately, he’s just another one of the gang, like non-actor Randy Couture or charisma-void Glen Powell. By the time the dust settles on the finale, you don’t even remember what Doc did, or if he survived. It’s a shoddy way of treating the most talented Expendable. Now that the movie seems like a flop stateside, a Snipes renaissance is lost to us. He’d be an amazing lead on an HBO show, he’d be great showing up in Fast And Furious and he’s even probably got a few amazing dramatic performances left in him. Maybe he could have been Blade, again. Thanks to the way he’s used in this film, we’re not gonna see any of that.


    • Thought Experiment: What If ‘The Expendables 3’ Ignites a Wesley Snipes Superstar Comeback?


      Wesley Snipes, former big-name movie star, is mostly a nonfactor today. That’s a shame. But it is not a static reality. And we are all, if you squint just a bit, standing at the precipice of change. A bit of backstory:

      Per his IMDb page, Snipes has been in more than 40 movies in the past 25 years, which is pretty remarkable when you consider that it’s actually 40-plus movies in 22 years because he spent three of those 25 years in a federal prison for tax evasion. His most successful role was as Blade in the Blade trilogy, a series that ran from 1998 to 2004 and made more than $415 million at the box office. But his most devastating, most iconic, most important stretch came during his 1991-93 run, when he played, with respect to his legacy, the three most important parts of his career.

      He was Nino Brown in 1991’s New Jack City, a character he played with such a perfectly flexed amount of schizophrenia and smarm that the mere thought of being able to put a bullet in him gave Ice-T an erection.

      He was Sidney Deane in 1992’s White Men Can’t Jump, a character he played with such a perfectly flexed amount of swagger and cunning that it accelerated race relations by about a billion percent while also bending the orbit of pickup basketball’s code of conduct forever.

      And he played Simon Phoenix in 1993’s Demolition Man, a character he played with such a perfectly flexed confidence and wholeheartedness that you very nearly forgot he was basically dressed like Black Dennis the Menace for just about the whole movie.

      Those three movies represent one of the all-time great movie runs. You can toss in other performances, if you like. He was of course marvelous in Major League (1989). Jungle Fever (1991) was fantastic too. Undisputed (2002) was fun as well. But still, even if you add up all of those, even if you include the Blade series, it’s still all just a reflection, a shadow, a whisper; performances unable to shape the future any further because their reaches have been rendered too short by time. He is a nonfactor today. And those movies can’t change that.

      But there is a movie that can change it: The Expendables 3, somehow.

      The Expendables series is mostly a plodding tank. Each film is about a collection of mercenaries that blow things up while arguing with one another. Snipes is in the third one, which comes out this week. And here’s the thing: He’s kind of super-charming in it, inasmuch as someone can be super-charming within the parameters of a two-minute movie trailer. So:

      Let us assume that Snipes’s work in The Expendables 3, be it through either ingenuity or nostaslgia, ignites a renewed Wesley Snipes appreciation. That’s cool because it’s deserved, but also because it will, in turn, ignite a Wesley Snipes resurgence. And that’s cool because that will, in turn, ignite a Wesley Snipes renaissance. And then ohhhh fuuuuuuu WESLEY SNIPES IS BACK.

      First, tell me about the appreciation.

      It’ll be like what happened with Mickey Rourke after The Wrestler came out in 2008, only except 2008 is like the Stone Age compared to today so it’ll be a little different. The 2014 Wesley Snipes appreciation will initially be born of irony because that’s how everything starts today. BuzzFeed will put together a list to celebrate his return to movies that’s something like “33 Times Wesley Snipes Gave The Best Stare-Down In The ’90s.” Someone will start a Twitter war with Omar Epps about the superiority of Major League to Major League 2 that goes viral. Somebody else will take clips of Snipes from his movies and then arrange them into a video that makes it sound like he’s rapping Snoop’s “Gin and Juice.” On and on. Eventually, though, the irony will give way to genuine appreciation. And the world will be in full Wesley Snipes arousal mode.

      So what ends up happening with The Expendables 3?



      Wesley Snipes happens, is what happens. He hits a 50-footer at the buzzer to win the game, is what happens. Without Snipes, The Expendables 3 would’ve been a total pooper. There’d have been no saving it, no universe where it’s good, not even in the elastic galaxy of the Thought Experiment. BUT SNIPES IS IN IT, AND HE IS IN THE SHIT OUT OF IT. He’s every Big Bad in the first 45 minutes of every action movie. He’s LeBron in Game 5 against the Pistons in the 2007 Eastern Conference finals. He’s the electric seaweed in the old Ninja Turtles video game on NES. He is just completely and totally unstoppable.





      What happens with Woody Harrelson?

      Oh, man. Harrelson, big BuzzFeed fan, sees the list, realizes that Snipes isn’t dead, then immediately begins arranging the pieces to film the follow-up to White Men Can’t Jump. They leak a teaser trailer online. It’s shot in black-and-white. It’s just Harrelson on a court shooting by himself (although we never actually see his face; the camera just sort of pans around so we only ever see him from angles that don’t show who he is). He shoots for maybe 25, 30 seconds. And it’s all one long shot. No cutaways. It’s a gorgeous clip. It’s super-cinematic — poetic, almost. Harrelson never says a word. It’s just bucket after bucket after bucket. The only sounds you hear are the ball bouncing off things and his shoes on the pavement.

      Finally, he misses one.

      The ball caroms off the side of the rim and out of bounds. The camera, pulled in tight so that all you can see is the ball rolling along the ground, moves with the ball as it rolls across the concrete. After three or four seconds, it’s stopped by a shoe. We see a pair of hands pick it up. The camera follows the hands as they bring the ball up to a hip. Then the camera continues upward, tight on the body, until finally we see that it’s Wesley. The camera is pulled in close to his face. He looks into the camera, then he gives that perfect Wesley Snipes smirk that only Wesley Snipes can do. Then it goes black. And then we see the title: White Men Still Can’t Jump. And then the Internet melts down.

      How good is it?

      So good. Better than anyone is expecting. It’s smart and clever and funny and they tie in little Easter eggs so all the nerds go crazy (there’s one scene where there’s an abandoned Sizzler in the background; things like that) but they also make it nuanced and intense and unflinching (there’s a scene in which they argue about what type of basketball player President Obama is, and whether the inflexibility of morality is an inherently black trait or an inherently white trait). The New York Times calls it “a concise, and altogether surprising, examination of the racial dynamics of sport in America,” continuing, “It’s so wonderful to see Mr. Snipes and Mr. Harrelson at it again.”

      And then what?

      Following the unanimous praise of the movie, President Obama invites Wesley and Woody to the White House for an actual game of basketball. They play 2-on-2. It’s Wesley and Woody against Obama and his “good friend” Blake Griffin. Obama and Griffin crush them. Obama, pumped full of adrenaline, needles Snipes, saying, “I guess they didn’t have a basketball court in prison, huh?” Woody and Blake stand there uncomfortably. Wesley’s feelings are visibly hurt. Obama continues, “Wait … wait. Are you gonna cry right now? Is Blade gonna cry? Did I just make Blade cry? Oh, this is rich. Blade is crying. Good. Great. Hey, I guess now we’re even for Blade Trinity, at least. Dracula? FOH.”
      Does Snipes keep acting?

      Boy, does he. Following the president’s cosign, the scripts come flying in. He takes a few safe ones to guarantee big checks, most remarkably when Marvel decides to reshoot the whole entire new Avengers movie, this time with Snipes playing Iron Man.
      Oh, no. How does Robert take it?

      Not well. He decides to quit Hollywood. But …

      Does Wesley offer to help Robert?

      Um, maybe I can answer that with four words for you: Iron Men Can Jump.

      Wesley and Robert team up to make their own version of White Men Can’t Jump, only except this time they play basketball in the Iron Man suits. It takes all of three weeks before it tops the $1 billion mark in box office earnings. Plus, it’s the first time two guys from the same movie get nominated for an Oscar for Best Actor. And guess what? They both win and they have to play one-on-one for it. And guess what? Wesley wins.
      Oh, no. How does Robert take that?

      He decides it’s a good idea to make Gothika 2, which is to say that he takes it the hardest he possibly ever could have, because Gothika is like the movie version of accidentally biting down on a piece of foil.
      Does Wesley offer to help Robert again?

      No. Because Wesley has his own troubles. Because, turns out, Wesley stopped filing his taxes after The Expendables 3. He has to go back to prison for three more years.



  22. Why didn’t you include a discussion of the film Waterdance? I enjoyed this film, thought it was touching film portraying the reality of the recovery from spinal cord injury. I knew the Director when he was in College and had a large role in a film he made while in College. I am always amazed that Neil when to to make major Hollywood films, but no surprised. Looking back the film was genius, showing an innate abilities that would later emerge.


  23. Internet rabbithole today brought me to this article

    Have you read it? I know it’s not new.

    Then of course I had to head over here to read his WTHH! One thing I always find interesting is hearing what the critical reception to older films was. I find I often make assumptions when watching something and am not always correct. Anyway, I’m off to more Internet travels. Have a good weekend!


    • I guess I can’t make my name Annie on mobile. Foiled again!


    • I haven’t read that article. But it looks like they just excerpted the Random Roles interview with Patton Oswalt from the AV Club. I actually quoted the same story about the bikers in the WTHH entry. Good old Patton Oswalt. You can always count on him.

      I have similar reactions sometimes. Back in the pre-internet days, I tended to get my reviews from Ebert and Siskel and whoever was writing for the local paper. If they liked or disliked a movie, I assumed that was the consensus. And usually, that was true. But sometimes, they would hold a dissenting opinion from the majority which resulted in me having a misperception about how the movie was viewed overall by critics. And then of course there were times when I just misremembered something. What happens pretty often is that a movie was not appreciated when it was released in theaters but came to be well-liked over time. People just assume those movies were always popular which isn’t always the case.


  24. The Fan was one of the best fame stalker films ever made. You must be confusing it with Kevon Costner/Whitney Houston’s pile of garbage – Bodyguard. The Fan is a cool movie, and DeNiro is fantastic. Snipes play it straight but convincing.


    • No, I’m not confusing The Fan and The Bodyguard. I’ve never actually watched The Bodyguard but I remember my experience watching The Fan. It may be that my expectations were set too high. But I was bitterly disappointed in it. I’m not alone in not liking it. It currently holds a meager 38% approval rating on Rotten Tomatoes.


  25. Empire co-producer Lee Daniels mentioned to E! Online that Terrence Howard wasn’t his first
    choice to play Lucious Lyon………guess who his first choice was?????


  26. Wesley Snipes joins NBC thriller pilot Endgame:

    In his first regular TV role in 25 years, Snipes will play the unflappable “pit boss” in a Las Vegas-set drama about a guy who has to compete in heroic challenges to save lives.


  27. Snipes (along with fellow WTHH alums Nicolas Cage and Kim Basinger) in WatchMojo’s Top 10 Celebrities Who Went Broke


  28. More Controversial Casting Choices And How They Turned Out:

    Wesley Snipes – Rising Sun

    Ink and pixels have been deployed generously in dissecting the casting for this summer’s Fantastic Four movie. Josh Trank’s reboot has cast Michael B Jordan as Johnny Storm/Human Torch, and you don’t have to explore too many comments fields to find the outrage this has caused. There are two issues, it seems: that the race of the character has been changed, and that he’ll be of different skin colour to the rest of Marvel’s rebooted first family.

    Changing the skin colour and background of a character has been at the heart of such controversies before, though. Take Phillip Kaufman’s 1993 adaptation of Michael Crichton’s Rising Sun. The film was already a contentious one, dealing with the unease between Japanese and America cultures (it took an American-owned studio, Fox, to finance it). But the late Crichton for one was singularly unimpressed that the film changed the Caucasian character of police liaison Peter Smith to an African-American in the film, when Wesley Snipes took on the part.

    Co-star Sean Connery insisted that the switch enhanced the film, but not everyone agreed. As the Media Action Network for Asian Americans argued at the time, “it can only exacerbate tensions between African Americans and Asian Americans”. The group sought an Asian actor to take on the role.

    The film was under fire throughout production for its depiction of Japan and Japanese cultures, although many aim the same view at the source novel. Either way, Snipes’ casting may have been divisive, but the film never really resonated anyway. Middling reviews at best didn’t aid it much on the way to a $107m global take. And, on the whole, Rising Sun is the kind of movie that barely seems to register, some 20 years after its original release.

    How did the casting turn out?

    Not really worth all the bother. Snipes wasn’t bad in Rising Sun, but the film around him had plenty of problems. 1993’s Michael Crichton movie to watch would remain Jurassic Park.


  29. The Winners And Losers Of The 2015 Broadcast Network Upfronts:

    Loser: NBC

    The ratings for The Blacklist are faltering on Thursdays, The Voice is losing momentum, and NBC only returned one freshman series from last year, the bubble show, Mysteries of Laura. Worse, with the exception of the Heroes reboot, their new fall schedule has nothing that looks particularly compelling. NBC, once the home of Jerry Seinfeld and Tina Fey, is now the home of Wesley Snipes. They’re trying to be the new CBS, but they’re not doing a very good job of it. As Flavorwire wrote, it almost looks like NBC is trying to tank itself.

    Winner: Bill Lawrence

    The Bill Lawrence produced Undateable is the first sitcom greenlit under the Robert Greenblatt “broader is better” era to actually get a third season. Of course, it’s low-rated, and it’s moving to Fridays, but hey! It’s something, right? Undateable will also move to all live shows next season, and based on their live show last week, that’s actually a great idea … if anyone would actually watch Undateable on Fridays.


  30. Wesley Snipes makes WatchMojo’s list of Another Top 10 Celebrity Falls from Grace


  31. 10 Actors Whose Craziness Got Them Kicked Out Of Hollywood:

    Wesley Snipes

    There’s nothing normal about Wesley Snipes, whose Hollywood career has since come to a total standstill on account of two things: one, he recently served time for tax evasion. Two, he’s not on the same planet as the rest of the population, given his questionable behaviour in recent years – behaviour which means that Hollywood has stopped calling.

    Take, for example, what went down on the set of Blade: Trinity. Snipes reportedly refused to shoot scenes on a whim, and demanded that everyone refer to him by his character’s name. He reportedly spent most of the production process smoking cannabis in his trailer, and even accused the director of the movie of racism for literally no reason.

    He also called Ryan Reynolds names. Poor Ryan Reynolds – the real victim in all this.

    So Snipes is both washed-up and crazy, then; not exactly a winning combination if ever there was one. Pretty much everything he’s done in the past 10 years has been released straight-to-DVD – a real sign of the times. And yet not a single person is bothered.


  32. 10 Hollywood Stars That Let Instant Success Go To Their Heads:

    Wesley Snipes

    Early Success: Snipes appeared in the Martin Scorsese music video for Michael Jackson’s Bad and was soon snapped up for Spike Lee’s Major League, quickly becoming an action movie staple. Before long he was appearing alongside Sylvester Stallone in Demolition Man and creating a body of work short on classics but always big at the box office. This culminated with the Blade franchise which appeared in 1998 with an equally successful sequel hitting screens in 2002.

    What Happened Next? On the set of Blade Trinity in 2005, Snipes took to staying in his trailer, smoking weed and refusing to come out unless absolutely necessary. In the end, the director simply told his co-stars to act out their lines and have Snipes fill the scenes in later. Once he did come round, all he had to offer was a few ‘Mmms’ looking straight into camera – these takes were reused throughout the film, while action sequences were completed with a double or with CGI.

    There were other production troubles; hen not in his trailer Snipes would flounce around set, refusing to speak to his fellow actors, but things got worse. At one point he accused his director of racism and leaped on him in an attempt to strangle him to death.

    All this was just the tip of the iceberg. Soon Snipes was in prison, adding good old tax evasion to his penchant for being a total ass hole.


  33. Bad Movie Beatdown: Money Train

    Stop this crazy train, I want to get off!


  34. The Future Of Blade, According To Wesley Snipes:

    Despite making his cinematic debut before the modern superhero movie craze, Blade’s been missing from the big screen for a while. Wesley Snipes last portrayed the character in 2004’s Blade: Trinity, and other than the short-lived Spike TV series, he hasn’t seen live-action since. While Marvel later got the rights to the character back from New Line Cinema in 2011, they haven’t announced any plans to use him in the Marvel Cinematic Universe. Snipes has expressed enthusiasm about doing a Blade 4, and now it appears he’s talked with the House of Ideas about Blade’s future.

    In an interview with Deadline, Snipes mentioned that he has met with Marvel about bring Blade back, but the character’s status is still uncertain at this point. He said:

    The project is controlled by Marvel and we did have a really productive and a wonderful meeting and we discussed a number of things. I don’t know where it’s on their schedule at this point, that hasn’t been decided. I guess it’s still up in the air.

    Snipes went on to say that even if Blade 4 or a related film doesn’t happen, he would be happy to work with them on another project. Unfortunately, the chances of Snipes being asked to reprise Blade are slim. For one thing, Marvel takes great care in planning out the MCU, and if they were planning to adapt Blade, it’s more likely they would start fresh. This isn’t a situation like when Judi Dench reprised M for the Daniel Craig James Bond films. They’re more likely to cast a younger actor to play the newest iteration of the vampire hunter, however, that doesn’t mean that Snipes can’t play another role in their Blade plans, or even in another Marvel movie.

    One thing worth noting is that Marvel likes to keep their movies PG-13, and a dhampir (a human with vampire genes) slicing and dicing bloodsuckers would push them into R territory like the earlier films. That means it wouldn’t be as accessible to their younger viewers, and thus less profitable. One course of action could be to give Blade a Netflix series. Daredevil has proven to be a safe haven for their more violent material, which is why they’re introducing The Punisher during the Man Without Fear’s second season. Giving Blade his own show would allow him to cut loose over multiple episodes and give fans a faithful adaptation…just as long as they can figure out how to create convincing looking vampires on a smaller budget.

    In the meantime, you can catch Snipes on his new NBC series The Player starting this fall.


  35. I would say New Jack City is my favorite Snipes film. It really is an excellent movie, at least that’s my opinion. He really did have legitimate acting chops. And it is impressive that for a time he could capably pull off dramatic, comedic and action films, I will give him credit for that. I suspect ego ruined his career long before his tax problems did.


    • I haven’t watched New Jack City in ages, but I remember enjoying it. It’s a tossup for me. I liked White Men Can’t Jump and the first two Blades a lot. Those are the ones that stand out for me. He gave a lot of good performances in bad or mediocre movies.


  36. Wesley Snipes Throws a Ton of Shade at Empire:

    Wesley Snipes is upping the ante for his first major TV role.The veteran actor stars alongside Philip Winchester in NBC’s new action-packed gambling thriller, “The Player,” but at one point, Wesley was approached to join another show.

    At the Television Critics Association Winter Tour in January 2015, “Empire” creator Lee Daniels said he was talking to Wesley about the part of Lucious Lyon, before the producer ended up bringing Terrence Howard on board.

    “It wasn’t as good of a situation for me,” Wesley told Billy Bush and Kit Hoover on Friday’s Access Hollywood Live about the “Empire” role.

    “[‘The Player’] was a better deal, it was a better combination of people, and I wouldn’t have been able to do the kind of range of acting that I can do on this show,” he added.

    As cunning and mysterious pit boss Mr. Johnson, Wesley told Billy and Kit he’s pleased with the level of responsibility and skill he’s been able to implement on set.

    “[He’s] a facilitator, he has to go into different worlds. … That gives him an opportunity to move through all of these different cultures and interact with these different people, good and bad,” he said. “I get to play with accents and do disguises, and action – the martial arts, as well.”

    “The Player” may have high stakes to meet, but Wesley has no hard feelings about “Empire’s” massive success.

    “It all worked out for the best. Everybody’s happy. So far,” he chuckled.

    When asked if he watches “Empire,” the “Blade” star said he likes to stay informed on industry trends to help keep his instincts sharp.

    “Of course. I see pretty much everything,” he said. “I’m a producer as well, so we’re not looking just at what I can do or what I’m doing as the actor, I’m also looking at the medium as a business. You gotta see what the talent is doing, you gotta see what the competition is doing and who the new faces are, and what the audiences are responding to.”

    Despite a decades-long movie career, Wesley acknowledged the importance of embracing TV’s new golden age. He told Billy and Kit that his work on “The Player” has helped him meet long-standing showbiz goals.

    “TV is expanding all over the world, and so it just made a lot sense for me to jump into the fire,” he said. “I had always promised myself I would try to do every genre of entertainment that there was. And so far, I’m checking them off the bucket list.”

    His experience also has its benefits. Wesley said that he’s now usually able to avoid long audition processes newer actors endure incessantly. Being offered shows like “The Player,” is a privilege he’s grateful to have earned.

    “You know, I’ve been pretty fortunate with a pretty robust career, a very diverse career, and so I don’t have to audition as much as I used to back in the ’80s and the early ’90s,” he smiled. “People call up and they kind of got an idea of what I can do.”

    However, Wesley did say there’s one aspect of his talent that he hasn’t gotten a chance to showcase.

    “They haven’t seen me do my song and dance yet,” he added. “That’s coming.”
    “The Player” premieres on Thursday, Sept. 24 at 10 PM ET/PT on NBC.


  37. Wesley Snipes Talks Being Michael Jackson’s Bodyguard for ‘Bad’ Video:

    Michael Jackson went epic with his video for 1987’s “Bad,” recruiting Martin Scorsese to direct a lengthy short film about urban gangs with choreography nods to West Side Story. Among the sprawling cast was a young Wesley Snipes, who played “Mini Max” – and while the actor went on to higher-profile work in films like 1991’s New Jack City, his brush with the King of Pop remains a formidable notch on his resume. Snipes reflected on the experience Thursday on The Tonight Show, recalling how he became Jackson’s “de-facto” bodyguard during the Harlem shoot.

    “I auditioned for Scorsese and Q – Quincy Jones – and they selected me out of, I don’t know, maybe hundreds of guys who auditioned,” Snipes says in the clip. After Fallon asks about his impressions of Jackson, Snipes tells the hilarious story – earning uproarious laughs from Questlove and the Roots.

    “The great Michael: the inspiration, the muse,” he says. “Michael was very interesting – very, very interesting. He actually was a little nervous filming in Harlem because we filmed some of the ‘Bad’ video there in Harlem … He was a little nervous because the fans were a little ambivalent with him. Some of them loved him. Some of them hated him. So you hear them literally yelling out, ‘Michael Jackson! We love you! Oh my God – I want to have your baby.’ And you have other people going, ‘You ain’t bleep! Michael Jackson, you ain’t never coming back to the ‘hood! Michael Jackson, what you do for us?’

    “So Michael turned to me and was like, ‘Are you scared?'” he continues. “I was like, ‘Yo, Mike, what are you talking about?’ ‘Are you scared? Really, are you scared?’ I was like, ‘No, Mike, this is Harlem, baby! This is where we grew up. They love you. Really, you’re scared?’ He was like, ‘A little.'”

    Snipes jokes that he was “demoted” from actor to “bodyguard.” But he says the unorthodox gig was worth it: “I’d do it again any time,” he says. “He was such an inspiration, such a wonderful talent.”


  38. Category: Hidden Treasures Created on Tuesday, 03 March 2015 14:15 Written by George Rother


    Boiling Point, a noirish potboiler starring Wesley Snipes and Dennis Hopper, arrived in theaters without fanfare in spring ’93. The studio neither promoted it heavily nor screened it advance. It was marketed as a straight-up action movie in hopes that the same audiences that turned out for Passenger 57 (also starring Snipes) just five months earlier would show up for this one as well. They were understandably confused, and in some cases irate, when Boiling Point didn’t deliver exactly what they wanted. Instead of a kick-ass action flick filled with wild shoot-outs and high-speed car chases, it’s a stylish and subdued noir piece set in Los Angeles’ criminal underbelly. I have to admit that I hated it at first look. I actually fell asleep on it. It was slow and poorly plotted with a choppy, disjointed narrative. The crowd that opening night grumbled and expressed their general dissatisfaction as they exited the theater, some louder than others. The movie tanked and disappeared quickly from theaters.

    Now just because I didn’t like Boiling Point doesn’t mean I forgot about it. I realized soon after that it’s one of those pictures that will command a second viewing at some point. I rewatched it on cable TV about a year later and, lo and behold, liked it.

    Snipes plays Jimmy Mercer, a US Treasury agent looking to avenge the murder of his colleague and best friend during an undercover operation at a motel. The lowlifes responsible for the cold-blooded killing are two-bit con man Red Diamond (Hopper) and dim-witted accomplice Ronnie (Mortensen, the LOTR trilogy). Red, who recently finished serving a five-year stretch in prison, has Ronnie convinced that he’s a big time criminal with major connections which is true to some extent. He’s into mob boss Tony Dio (Lo Bianco, The French Connection) for $50,000. Now that he’s free man, Tony is calling in the mark and gives Red just seven days to pay in full. It’s the same amount of time Jimmy has to track down his friend’s killers before being transferred to Newark, NJ as punishment for bungling his assignment. Red desperately scrambles to get the needed money with one failed scheme after another, not realizing that Jimmy is closing in on him. Also, unbeknownst to both men, they’re involved with the same woman, hooker-with-a-heart-of-gold Vikki (Davidovich, Blaze).

    Funny thing about Boiling Point, Jimmy crosses paths with Red several times during the course of the movie before realizing he’s the one he’s after. More than once, the two men are in the same place (hotel bathroom, burger stand) at the same time. Does this happen often in L.A.?

    Boiling Point opens with an impressive aerial shot of the nighttime L.A. skyline. The camera pans past landmark buildings like the ARCO Company and Capitol Records while “Dream” (a beautiful, harmonic song sung by The Danny May Orchestra) plays over the soundtrack. It’s a perfect fit as the main characters all dream of better lives. Eventually the camera makes it to ground level where we see Red, sporting a vintage suit replete with wingtip shoes, walking confidently to a rendezvous with Ronnie. It’s the coolest opening I’ve seen since Sharky’s Machine (1981); it perfectly sets the tone of the movie. The problems begin soon thereafter. What happened is not the fault of writer-director James B. Harris (Cop) but the money-minded studio executives that edited it to strengthen Snipes’ role, hoping that would make it more commercial. This accounts for the choppy narrative and underdeveloped characters, namely Red’s ex-wife Mona (Perrine, Superman I & II), a coffee shop waitress who’s none too happy to see the man that mistreated her. One suspects her role was originally bigger. I got the same feeling about Ronnie’s former girlfriend Carol (Elise, Child’s Play 2). She gets one major scene in which she explains the reasons for not wanting to resume the relationship. Ronnie slaps her on his way out and they start to kiss. That’s it expect for a brief, dialogue-free appearance in a later scene. One gets the impression that Harris intended Boiling Point to be a different movie. A set of early scenes parallel the personal lives of Jimmy, Red and Ronnie and their failed marriages/relationships. This too gets dropped almost immediately to make room for more conventional police revenge thriller-type stuff.

    The acting in Boiling Point is okay for the most part. Snipes delivers a comparatively low-energy performance as a T-Man with an attitude. Early on, his supervisor (Tolkan, Back to the Future) orders him to do things by the book in apprehending the bad guys. His response, “When I find this mother f—ker, I’m gonna put him in a box …. by the book.”. The typically reliable Hopper does quite well as Red, so named for his strawberry-blonde hair. He’s a big talker who rarely factors his penchant for bad luck into his schemes. What’s interesting about this character is his distaste for violence and how easily he convinces his partner-in-crime to take care of such matters. Mortensen turns in a decent early performance as the dim-witted sociopath that truly believes his mentor’s line of BS. Davidovich is good as Vikki, a character-type we’ve seen in countless other movies. She has a couple of great scenes opposite Hopper who hires her to join him for some swing dancing at a hotel ballroom. Seymour Cassel (The Killing of a Chinese Bookie) shows up as a dealer in counterfeit money who might have a clue who killed the agent at the motel. He’s one of the more interesting supporting characters in Boiling Point. Paul Gleason (The Breakfast Club) also shows up briefly as a courier for a sleazy lawyer. Dan Hedaya (Running Scared) plays Jimmy’s partner.

    It should be mentioned that the main crimes in the movie don’t involve drugs or illegal guns, but fake money (hence the novel’s title). While the nature of the motel operation is unclear, it somehow involves counterfeit money. In the end, Boiling Point is a slick-looking neo-noir that makes up for in style what it lacks in substance. The cinematography, by King Baggot, is quite good. The movie primarily takes place at night, perfect for the shady goings-on. Although set in L.A., don’t expect a trip to the sunny side of the street. The L.A. in Boiling Point is a world of glitz and sleaze. The score is terrific. The big band music is especially great as it provides a strong connection to that era. Some of the best film noirs were made during that time (the 40s). Some will argue that Boiling Point is slow-moving; I counter by saying that it’s a slow burn thriller. It has a few action scenes and one explosion, but that’s not really the point of the movie. It’s more about the seven-day time frame during which Red has to come up with 50 grand and Jimmy has to catch the bad guys before the clock runs out. There’s a fair amount of tension, just not enough to put you on the edge of your seat. Boiling Point is a good movie, just not a great one. It’s definitely underrated and underappreciated. It’s a B-movie, not unlike many of the cheap film noirs that came out of Hollywood in the 40s and 50s. I like it.

    TRIVIA TIDBIT: Boiling Point is based on the novel Money Men by Gerald Petievich who also wrote To Live and Die in L.A. Both movies feature the character of sleazy lawyer Max Waxman, played here by Jonathan Banks (Beverly Hills Cop). He was played by Christopher Allport (Dead & Buried) in the 1985 film.


  39. Retrospective / Review: Blade (1998)

    To gain access to reviews and commentaries early you can donate through Patreon! http://www.patreon.com/oliverharper


    • 6 Reasons Blade Is Marvel’s Most Underrated Movie


      There have been rumblings lately that Marvel’s vampire hunter extraordinaire, Blade, could be returning to screens as part of the Marvel Cinematic Universe. It’s purely idol gossip at this stage, but the star of the original trilogy, almost-action hero and epic tax cheat Wesley Snipes, has been open to a return when asked. Some have been suggesting that Blade could return as a mentor to a new, younger vampire slayer who is less encumbered by the franchise’s past, whilst some think that Blade might work best in Netflix’s darker corner of the MCU alongside Daredevil, the Punisher and Jessica Jones.

      Regardless of how it work, there’s no question that a return for Snipes’ day-walker would be nothing but welcome, even after the suck-fest that was Blade Trinity seemingly derailed the franchise for good over a decade ago. If however you’re still unsure as to why Blade’s particular brand of vampire dicing should be brought back to the big screen then I would argue that it’s been too long since you watched the original Blade from 1998.

      Blade has wrongly become a footnote in the story of comic book movies to date, so here’s why it’s actually the most underrated Marvel movie around.


      • I see that “Murder at 1600” is on the Bounce channel this month. I think it’s okay; Diane Lane (nath), Ronny Cox, and Alan Alda (I like it when he’s a bad guy) elevate the film for me.


  40. In the current book I’m reading, “Marvel Comics The Untold Story”, it’s revealed that the very first attempt at a Blade film goes all the way back to the mid-80’s. According to my book, there were meetings with Richard Roundtree (most famous for playing Shaft in the early 70’s) to play Blade but the project never got off the ground. That would have been interesting… I don’t know if it would have been very good, but it would have been interesting.


    • I remember reading about early efforts to make a Blade movie and thinking “That will never happen.” Back then, only Superman and Batman got the movie treatment. I couldn’t imagine a C-lister like Blade on the big screen.

      I have heard good things about MC: The Untold Story. I need to track down a copy.

      Nice timing. I have some Blade-related content posting soon.


      • I highly recommend “MC: The Untold Story”. Even if one is a casual comic book fan it’s a terrific read with many great stories. Here’s one bit that I find fascinating: Martin Goodman, the man who began Marvel Comics, got married in the 1930’s and took his bride on a lavish honeymoon to Europe, with plans to return on the fashionable Hindenburg – except that they could not get two seats together so instead they caught a plane. The book merely mentions this in passing but I can’t help but think how pivotal that moment was: if Martin Goodman had died on the Hindenburg there never would have been a Marvel Comics, and the world never would have known of a Spider-man or Hulk or Captain America or Wolverine or greater Marvel Universe……. all save for the fact that Goodman and his bride could not get two seats together. Thank goodness for seating arrangement snafus!


  41. lebeau,

    I came to your site from jriddle’s excellent reviews of the TWD. I enjoy your reviews of TWD as well. Thanks for doing these WTHH columns. I did want to add my thoughts about Wesley Snipes.

    I often get tired of black actors being typecast into the “from the hood” roles and I liked the fact that Snipes was able to play a broad range of characters. He can growl and talk trash and yet also be play characters with more depth. I liked White Men Can’t Jump and Jungle Fever (In spite of Spike Lee often confusing themes and focuses). However, I don’t think Wesley Snipes get’s enough credit for the lower profiles roles he has taken. Specifically, I wanted to address your reviews of three of his movies:

    Sugar Hill
    One Night Stand
    Disappearing Acts

    Sugar Hill does suffer from many of the tropes found in the “I am trying to get out of the life and go straight” movies. However, I remember Snipes infusing his role with sensitivity and thoughtfulness. Michael Wright plays the “angst” character while Clarence Williams III (still a favorite of mine from ‘The Mod Squad”) does an excellent drug overdose scene.

    I thought that One Night Stand allowed Snipes to really show more of his dramatic abilities. I disagree with other reviewers because I thought he had very good chemistry with Nastassja Kinski . In fact, Snipes is “mugged” in this movie which not only goes against type but helps to lay some of the ground work for the One Night Stand itself. I also thought that Snipes had good chemistry with Robert Downey Jr. He is supposed to be Downey’s friend and I thought his performance showed caring and feeling. The twist ending is not bad and helps to make the film different from most in that genre.

    In Disappearing Acts Snipes plays a character that wants to do well, but is unable to overcome many of his own issues. I have none many people like this character, so even though he is not a good guy, I thought his character was very believable.

    I am certainly not a great film reviewer but I think all of these films show a different side of Snipes. I am interested in your opinion because I was not sure if you had seen any of these films in their entirety.


    • Excellent comment. I think you may be selling yourself short as a film critic.

      I have seen Sugar Hill in its entirety. But it has been since it was in theaters, so my memory is hazy. I have only seen bits and pieces of One Night Stand and none of Disappearing Acts. So I don’t really have much to say about those films specifically.

      I want to thank you for your thoughtful comments (and your kind words). I’ll have to thank jriddle for sending you my way. ;)

      I do agree with you that Snipes was more than just a tough guy or an action hero. I knew him more for his comedic and dramatic roles. I was actually surprised to discover later on that most audiences just thought of him as the Passenger 57 guy or Blade. I always knew he had more depth and range than that.


  42. http://www.salon.com/2000/10/26/spike_lee_2/

    From this interview with Spike Lee:

    “In that vein, I was thinking about your credits and wondering what happened to Wesley Snipes, who worked for you twice [in “Mo’ Better Blues” and “Jungle Fever”] and was consistently pretty wonderful 10 years ago; now he’s become this action figure.

    That’s what he wanted to be. Even when we were doing “Jungle Fever” and “Mo’ Better Blues,” Wesley told me himself, he wanted to be the black Schwarzenegger. It’s not like someone pressured him to do that. He’s doing what he set out to do — to be a black action hero. But I love Wesley. I want to work with him again.”


  43. I honestly forgot all about “The Player”. With such a short run (more like a jog), it’s hard to tell if it was any good, or if it would’ve eventually found an audience.


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