What the Hell Happened to Kelly McGillis?

Kelly McGillis - Perfect Prey 1998
Kelly McGillis – Painted Angels 1998

McGillis appeared once again on the big screen in the English Western, Painted Angels also known as The Wicked Wicked West.  Brenda Fricker starred as a stern madame at a bordello in the 1870’s.  The story depicts the things women had to do in order to survive life in the Wild West.  The movie was released under different names on different dates in several countries before making its US debut on home video.
McGillis - Ground Control
McGillis ended a busy year with the direct-to-video disaster movie, Ground Control.  Kiefer Sutherland starred as a disgraced air traffic controller who is called back to duty to help with a staff shortage on New Year’s Eve.  Not all of his former colleagues are glad to see him back.  But his help is needed when a storm knocks out power in Chicago.  Bruce McGill, Robert Sean Leonard and  Kristy Swanson costarred.

Kelly McGillis and Val Kilmer - At First Sight - 1999
Kelly McGillis and Val Kilmer – At First Sight – 1999

In 1999, McGillis made her first appearance in a mainstream Hollywood movie since North five years earlier.  At First Sight reunited the actress with one of her Top Gun costars.  Val Kilmer starred as a blind masseur who meets and falls for a girl played by Mira Sorvino.  When the two start dating, Sorvino encourages her new beau to undergo an operation to regain his eyesight.  McGillis played Kilmer’s protective sister who lives next door.
Earlier, I said that Val Kilmer’s career woes weren’t yet apparent.  Flops like At First Sight were warning signs that his time on the A-list was growing short.  But McGillis, this was her most substantial role in a Hollywood movie since The Babe in 1992.

Kelly McGillis - The Settlement - 1999
Kelly McGillis – The Settlement – 1999

Later that year, McGillis costarred opposite John C. Reilly and William Fichtner in the black comedy, The Settlement.  Fichtner and Reilly played two unscrupulous businessmen whose business is based on the real-life practice of buying up insurance policies from terminal patients at a discount and cashing them in when they die.  Unfortunately for them, new treatments for terminal diseases such as AIDS are allowing their clients to live longer which is ruining their business.  McGillis plays a mysterious woman with a $2 million dollar life insurance policy who may be more healthy than she lets on.

Kelly McGillis - The Outer Limits - 2000
Kelly McGillis – The Outer Limits – 2000

At some point, there are certain shows that start popping up in a What the Hell Happened article.  The Outer Limits was one of those shows.  McKillis appeared in the two-part finale to season six of the Canadian revival of the sci-fi anthology series, Final Appeal.  The episode is unusual in that it serves as a sequel to the second season premiere, Stitch in Time.  In that episode, Amanda Plummer played a time traveler who went back in time to kill serial killers before they could harm their victims.  In the two-part follow-up, Plummer’s character is put on trial for her actions.  The cast for the episode included Cicely Tyson, Swoosie Kurtz,  Robert Loggia, Hal Holbrook and Charlton Heston.

Kelly McGillis - The Monkey's Mask - 2000
Kelly McGillis – The Monkey’s Mask – 2000

Later that year, McGillis starred in the thriller, The Monkey’s Mask.  Susie Porter played an out-of-work private investigator who takes up the case of a missing student.  Her investigation leads her to the girl’s poetry instructor played by McGillis.  McGillis takes her on a tour of the lesbian underworld the missing student inhabited.  When the girl turns up dead, Porter continues looking for the killer.  As the investigation continues she becomes romantically involved with McGillis.
The movie was coproduced by several countries including Australia, Canada, France and Japan.  It was based on a book of the same name by Australian poet Dorothy Porter.

McGillis - No One Can Hear You
Kelly McGillis – No One Can Hear You – 2001

The following year, McGillis starred in the thriller, No One Can Hear You.  McGillis played an investigative reporter who is working on a story about a serial killer.  The authorities try to warn her to back off the case, but McGillis feels obligated to warn people of the danger they are in.  As she follows the clues, she realizes that she may have put herself and her family in danger.

Kelly McGillis and Billy Zane - Morgan's Ferry - 2001
Kelly McGillis and Billy Zane – Morgan’s Ferry – 2001

Later that year, McGillis starred opposite Billy Zane in the romantic drama, Morgan’s Ferry.  Zane played one of three escaped convicts who hide out in McGillis’ home.  At first, she is a hostage in her own home, but eventually she develops romantic feelings for Zane and aids his efforts to escape on a ferry.
Next: Divorce and Civil Union


Post Author: lebeau

34 thoughts on “What the Hell Happened to Kelly McGillis?


    (August 16, 2016 - 9:43 am)

    This is an excellent addition to the What the Hell Happened series! McGillis’ story really is a sad one.
    It’s actually pretty impressive that she has survived in the work as well as she has. Often, victims of the sort of trauma that she experienced will go out of their way to put a barrier between themselves and other people, which is the opposite of what a good actress should be doing. But I do remember feeling like there was a hard outer layer to many of McGillis’ performances and in-person interviews. The vulnerability she was able to allow herself in some of her other performances are a tribute to her strength as a person.


      (August 17, 2016 - 9:03 am)

      This one took a long time to write for a variety of reasons. The fact that there was so much tragedy to deal with was a minor contributing factor. The sad ones tend to bum me out, so I write them in smaller chunks. They also require a bit more research. If I’m going to delve into the subject’s personal life, I feel obligated to make sure everyone is fairly represented. I read quite a bit about the making of Cat Chaser, for example, to make sure I got everyone’s point of view. If you’re Peter Weller, you’re probably more than a little frustrated that the big starring vehicle you have been pouring your blood sweat and tears into costars a woman who is clearly wrestling with demons. Knowing McGillis’ backstory, it’s perfectly understandable that she wasn’t in a good place and probably shouldn’t have been making a movie that would require her to recreate a graphic rape scene. Walking away from Hollywood was likely a solid call on her part. It is admirable how much she has endured and that she has continued to work as an actress outside of mainstream movies. It’s a sad story, but I think ultimately it is one of triumph.


    (August 16, 2016 - 12:00 pm)

    Great article!
    Also, wow, I didn’t realize her story was so sad!


      (August 17, 2016 - 9:04 am)

      Glad you liked it.


    (August 16, 2016 - 12:14 pm)

    Very nice appreciation of Kelly McGillis’s career. It’s great to see the return of the WTHH series!
    I think sometimes it’s easy to lose sight, in our present era where coming out is just another thing people do, that as recently as the 1980s that was something that was very, very rare. I came across a list of “celebrities who came out in the 1980s” and noticed that 1) it was pretty short, and 2) of the entertainers on the list (which also included 2 or 3 politicians and tennis stars Billie Jean King and Martina Navratilova), virtually all of them were British, not American (e.g., Elton John, Ian McKellen).


      (August 16, 2016 - 12:51 pm)

      Elton John came out at the height of his popularity and then got married to a woman some time after that when he was still pretty huge. Then he got divorced and re-confirmed what we all already knew. He went through quite a lot of personal trouble and there’s no telling how much of it was connected to anxiety over his sexual preferences and how parts of society and people he knew might judge him. It could not have helped with his drug dependencies and multiple suicide attempts. Somehow his career never really suffered through all of it. Some of that can be attributed to the crazy glam imagery of many pop stars of the ’70s and early ’80s and some of it to the fact that he was already a very big star and he kept on releasing good pop music. If it ever did cost him sales/radio play all that does is make me wonder exactly how much huger could he possibly have been?


      (August 17, 2016 - 9:11 am)

      At one point, I had a line in the article kind of joke-explaining for future generations that a civil union was essentially same-sex marriage before same-sex marriage was legalized nationwide. Imagine how silly that debate is going to seem in 50 years. I think it will blow people’s minds that it took until the 21st century for America to allow same sex marriages. And I still know people who are behind the times on that one.
      The 80’s would have been a terrible time to come out. In the seventies, gay culture had taken a few steps forward. But with the rise of AIDS, the door got slammed in their faces. I remember rampant homophobia growing up. If anyone at my school deviated in any way from rigid gender norms, they would be persecuted. There was a witch hunt mentality. For an actor, there was a sense that if audiences knew you were gay, they wouldn’t accept you playing straight roles. And there were very few gay parts, so if that happened your career was sunk.


    (August 16, 2016 - 3:47 pm)

    Good Bad Flicks: Stake Land (2010)


    (August 16, 2016 - 7:19 pm)

    Great to see the return of What the Hell Just Happened. Hope it isn’t long before the next one. It would be interesting if you made other carrear assesment. Perhaps along the lines of How The Hell Did they successfully navigate there carrear and keep on top for so long?


      (August 17, 2016 - 9:13 am)

      My plan is to churn them out on a regular basis. I’m aiming for monthly. We’ll see how that goes. Thanks for reading!


    (August 16, 2016 - 10:08 pm)

    I knew Kelly McGillis came out a few years ago, but I had no idea that she & her girlfriend were raped in the early 1980’s. Like what Daffy said, she’s a strong woman to set aside the issues of sexual identity & an extremely traumatic situation to continue pursuing acting.
    And what mainstream acting that was for McGillis: “Witness” (love, it, love it) “Top Gun” (never cared a lot for it, or the NES game either) and “The Accused” (powerful, and it can be understood why she’s be interested in the material). I also viewed “The House on Carroll Street” and thought it was really good (like it more than “Top Gun”). That’s quite a run.
    So, that home invasion just happened a couple of months ago? Geez, like she she needed another experience like that. Poor lady; I hope she has a sense of happiness and fulfillment in other areas of her life.


      (August 17, 2016 - 9:19 am)

      When The Accused came out, I saw the magazine covers in which McGillis talked about being a rape survivor. So I was aware of that. I was vaguely aware she came out a few years ago. But until I dug in, I didn’t realize the full extent of what she was dealing with. The fact that she was raped following a divorce while experimenting with her sexuality created a sense of guilt. She blamed her rape on the fact she was gay. Imagine what that does to you!
      The home invasion was just this past summer. The article was already in flight and I was kind of kicking myself for not having finished it already. There was another angle to that story that I left out of the article but I will mention here. The NRA crowd latched on to comments McGillis made about getting a concealed carry to protect herself. For at least one news cycle, she became an unlikely hero of 2nd amendment advocates.


        (August 17, 2016 - 6:22 pm)

        After I read this article, I read another article that said she was gang-raped when she was 12 too, and another time she was mugged! Yeesh, there’s no wonder why she felt she was being punished. She surely has experienced the dark side of the human condition much too often.

      Terrence Clay (@TMC1982)

      (November 26, 2016 - 5:13 am)

      It seems like she let herself go quite a lot (Kelly McGillis wasn’t really a delicate beauty in the first place), probably because all of her troubled life: being raped, then getting into alcohol and drugs because of that, and then still the same alcohol and drugs story because of being unhappily married to a man before getting married to the woman she loves.
      During her “Top Gun” prime, she had a mature look to her, not a conventional “hot” look. Something like that is perfect for an intelligent character role. Her cheekbones gave her a distinct look, but her face doesn’t have that definition since she’s gained weight—that’s probably why she looks so incredibly different to me.
      Then again, Kelly McGillis has long been out of the public spotlight and so there is no need for her to bend to the never ending pressure of looking young when she no longer is.


        (November 27, 2016 - 12:29 am)

        Kelly McGillis is a real “What The Hell Happened?” for me, since I kind of forgot about her for the longest time (beginning in the early 1990’s) until I began re-watching “Witness” or remembering “Top Gun” (I actually just took an online survey quiz in which the questions pointed a lot to McGillis’ Charlie character, and I got most of them right. For someone who doesn’t really like “Top gun” all that much anymore, I was surprised. I suppose I was channeling my inner Tom Skerritt). Some of the other subjects I’m still pretty familiar with, but until recently that not the case when it comes to Kelly McGillis.


    (August 29, 2016 - 3:58 pm)

    That “Bonds of Love” tv movie sounds a lot like the Australian film Tim that Mel Gibson was in before he was famous in the US. He plays a mildly retarded young man who gets hired to do some yard work for an older American business woman played by Piper Laurie. The two grow close and fall in love, but Tim’s family thinks he doesn’t have the capacity to consent and thinks Laurie’s character is a dirty old woman taking advantage of his innocence. I’m pretty sure the American tv movie had to have been based on it, the description is too similar to be a coincidence.


      (August 29, 2016 - 4:05 pm)

      The movie you are referring to is Tim (released in 1979). It was based on the novel of the same name by Colleen McCullough. “Bonds of Love” was based on a real life couple. The events took place in 1991 which was several years after the book was written. But there are definite similarities. I wouldn’t be shocked if the makers of the TV movie had seen Tim.


        (August 30, 2016 - 3:42 am)

        I just looked up “Bond of Love” on IMDB and the one external review states in the beginning that he thought it was going to be a TV remake of “Tim” until realizing it was a true story. I viewed “Tim” about four year ago; I liked it.

    Terrence Clay (@TMC1982)

    (October 29, 2016 - 3:28 am)

    How the 1980s Defined the Look of Movie Sex Scenes
    Picture a movie sex scene — not one in particular, but the archetypal notion of one. Does it involve a tastefully topless actress throwing her head back in ecstasy as our leading man nibbles down the length of her neck? Is the romp shot in slow-mo and bathed in cool blue light, our actors’ hair backlit like golden halos? And is there a sensitive plinking of piano on the soundtrack to signify tender lovemaking, or, if the fucking’s real good, a wailing saxophone?
    If so, the 1980s did a number on you … and, it must be said, everybody else. As the last film decade before celebrity skin became easily search-indexed online, the 1980s offered love scenes galore in just about every type of genre. And while a loosening of film standards meant that sex and nudity had become almost commonplace in the 1960s and 1970s, the 1980s codified how a sex scene ought to look in ways that continue to filter down into modern-day movies and the sexually explicit world of premium cable.
    Think of Tom Cruise and Kelly McGillis, who interrupt the macho theatrics of Top Gun to start Frenching to “Take My Breath Away.” Shot like silhouettes and backlit by blue moonlight, they hook up in front of billowing bedroom curtains that undulate along with the stars’ heaving bodies. (In the 1980s, there was always something billowing.) It might as well be a music-video set, which was one of the primary, lasting innovations of the 1980s sex scene: As MTV and pornography both became booming businesses, movies found a way to fuse the tropes of both.
    At the time, the sex scenes in films like 9 1/2 Weeks and Risky Business were derided as over-the-top bouts of stylization. Did anyone truly make love like that, artfully choreographing each move in mood lighting pitched just so? But as those iconic scenes claimed more and more pop cultural real estate, they became not the exception to the rule but the de facto template for onscreen sex to come. Watch the sex scenes from 1984’s The Terminator and 2015’s Fifty Shades of Grey back to back, for example, and you might be surprised by how much they have in common — from the lighting to the choreography to the similar indications of orgasmic pleasure — despite being two very different movies made 30 years apart.
    How has that awfully specific rubric lasted so long? Don’t credit the big screen for it: Since the 1990s, major movies have been almost literally denuded of their sex scenes, with Fifty Shades of Grey standing as both a notable exception and an homage to a bygone era. (It’s telling that The Terminator stops in its tracks for a scene of gentle lovemaking, while 2015’s Terminator Genisys keeps the same characters so far apart, you’d think they were chaperoned.) But into that vacuum came television, where the format of the 1980s sex scene persisted and even flourished. NYPD Blue broke network-television barriers with fantasy-lit sex scenes that were at odds with the cop drama’s usual grit, and on premium cable, late-night Skinemax entries tried to peddle soft porn with tricks learned from ’80s directors like Tony Scott and Adrian Lyne. True Blood’s frequent sex scenes wouldn’t have looked out of place a few decades earlier, and if you tune into the latest sex-and-violence drama on Starz or Showtime, the lovemaking might feel a little familiar.
    So while naturalistic bouts of sex, like the hungry assignations in Blue Is the Warmest Color, might sometimes find fanfare, it’s fair to say that the more stylized hallmarks of the 1980s sex scene are here to stay, now permanently embedded in our cultural consciousness as the ideal notion of how screen lovemaking ought to look. Allow me to craft my own homage, then: Instead of ending this article on a sharp observation or humorous quote, I’ll simply pan away, land on a bedside table, and fade out.


    (November 8, 2016 - 10:24 pm)

    The Accused is garbage. This 04 review on imdb is worth pasting. I completely agree with it except for the sidenote about Silence:
    “Cheap exploitation flick. Wretched performance by Foster. Shot in an annoyingly pedestrian, TV docudrama style. Make no mistake about it: the protracted flashback near the film’s end is there for the sole purpose of titillating the audience. How “The Accused” garnered so much respect from the press eludes me. Foster even won an Oscar for her performance! (Which was followed by a statue for her so-so work in the god-awful “Silence of the Lambs.”) This is a shameful effort. That it masquerades as a sincere piece of social commentary makes me hate it even more. (I’ve met a great many feminists that were somehow bamboozled into lauding this dreck.) “The Accused” is downright fraudulent.”
    Forget about the fact that it has the feel of a Lifetime movie. It’s total exploitation. I don’t buy the sincerity for a second. It has one of the worst screenplays ever to be adapted on film. The lines are incredibly cringy and Foster’s delivery of them sucks. I doubt even she would be offended by these comments since she went on record saying she thought her own performance was awful.


      (November 8, 2016 - 10:40 pm)

      Yeah, I think “The Accused” is overrated, and that rape flashback was unnecessary; I think words would’ve been fine.


        (November 8, 2016 - 10:56 pm)

        I saw potential chemistry between JF with the actor who played her boyfriend, Tom O’Brien. Which for her is unheard of. The movie would’ve benefitted from expanding his character. He’s barely in it at all.


          (November 8, 2016 - 11:12 pm)

          Yeah, I thought he was pretty good and played a useful character in the limited screen time he had; The film features mostly only McGillis & Foster, so I guess that’s what the script was going for. Still, his character could’ve lasted a little longer.

    Terrence Clay (@TMC1982)

    (January 30, 2017 - 11:56 am)

    What the cast of Top Gun looks like today
    Kelly McGillis (Charlotte ‘Charlie’ Blackwood)
    Kelly McGillis was already well on her way to becoming a star by the time Top Gun flew into theaters, having starred opposite Harrison Ford in Witness the previous year. While McGillis wasn’t personally recognized among the nominations, Witness received Oscar nods in a total of eight categories and put the actress on the map. She followed up her successful turn as Maverick’s love interest Charlie with a role as an assistant district attorney in 1988’s The Accused, a film that won the Best Actress award for her co-star Jodie Foster but once again left McGillis empty-handed.
    Unlike her Top Gun co-star, McGillis slipped off the radar, eventually turning to Syfy originals for work (she’s seen above in a still from a 2014 episode of the network’s Z Nation in which her character fought a “zombie bear”). Her career hit its lowest ebb in 2007 when she was “reduced to taking a thankless supporting role” in dreadful creature feature Supergator.

      Terrence Clay (@TMC1982)

      (February 15, 2017 - 3:56 pm)

      Re: Kim Basinger at the Los Angeles Premiere of Universal Pictures Fifty Shades Darker at the Ace Hotel Theatre. 2/2/17
      Kim was sexy; but white women tend to have masculine features that don’t age well; which is ironic since they are presented as being the most feminine women. You can tell even this photo that she probably wasn’t going to age nicely.
      Same with Kelly McGillis. Attractive but masculine; you could tell she would age to be masculine and unattractive like most white women, and she did….


        (February 15, 2017 - 11:21 pm)

        The posters in that thread are clueless regarding Basinger. Posting photos taken when she was 37 and 35 to argue that she “was never a beauty” or “you could tell she wasn’t going to age well” is just ridiculous.
        Kim was in her prime between ages 27 (when she started lightening her hair, sometime in 1981) and 32. Blind Date was the first movie where facially she was anything less than perfect. The film she looked best in, IMO is a toss up between Mother Lode and Never Say Never Again.


          (February 15, 2017 - 11:35 pm)

          I think there are many posters out there (excluding present site) who have comments that aren’t very objective or constructive.

          Terrence Clay (@TMC1982)

          (February 16, 2017 - 1:36 am)

          In the case for “Blind Date”, I wonder if Kim looking “less than perfect” was kind of intentional on her or the producers’ part. Maybe it’s because it was one of the rare cases in which Kim doesn’t sport her trademark platinum blonde hair (“Even Money”, which has Kim as a redhead, ironically like Vicki Vale in the comic books, is another one) Also the whole point of that movie if I’m not mistaken, was that Kim played this passive, unassuming girl who suddenly “turns crazy” when she has even the slightest taste of alcohol.

    Terrence Clay (@TMC1982)

    (February 27, 2017 - 5:18 pm)

    What Happened to Kelly McGillis – News & Updates
    By Brooke Carter – Feb 23, 2017
    California-born actress Kelly McGillis starred in several high-profile films during the 80’s including Witness (1985), Top Gun (1986), and The Accused (1988). Having always gravitated toward the performing arts, she moved to New York City to study acting at New York’s renewed Julliard School after graduating from high school in 1975. While honing her skills at the institute, she starred in a production of Love for Love, a comedy by William Congreve. At one point, she also studied at Santa Monica’s Pacific Conservatory of Performing Arts. In 1983, the then twenty-six year old made her big screen debut in the romance comedy, Rueben, Rueben, where she co-starred alongside Roberts Blossom and Tom Conti. Branching out into television, she appeared in the TV film, Sweet Revenge (1984) the following year. Determined to make it big, she later appeared in an episode of Live from Lincoln Center (1985), prior to landing a breakthrough with the crime drama film, Witness that same year. A major blockbuster, the movie not only launched her career, but it also earned her a BAFTA and Golden Globe Award nomination.
    Gradually rising to prominence, McGillis subsequently starred alongside Val Kilmer and Tom Cruise in the fighter pilot film, Top Gun in 1986. Following that, she was cast as the female lead in the Oscar-winning drama film, The Accused (1988). Although it was widely successful, the actress later confessed that she in fact, despised the movieーwhich was based loosely on the gang rape of Cheryl Araujoーbeing a survivor of rape herself. Over the next decade, she appeared in over a dozen titles including Grand Isle (1991), The Babe (1992), Dark Eyes (1995), Painted Angels (1998), and Perfect Prey (1998), to name a few. After playing various roles in The Outer Limits (2000), The Monkey’s Mask (2000), No One Can Hear You (2001), and Morgan’s Ferry (2001) in the early 2000’s, McGillis took a prolonged break from acting before returning to television in 2006.
    After making her big return in the TV film, Cold Shoulder (2006), she starred in a number of movies including Stake Land (2010), The Innkeepers (2011), What Could Have Been (2011), We Are What We Are (2013), and Grand Street (2014). While she kept her focus mainly on the big screen, she did go on to appear in the made-for-television movie, Love Finds You in Sugarcreek (2014) and in an episode of the action comedy series, Z Nation (2014). Outside of acting, McGillis has also been in a number of TV specials over the years such as Donnie & Marie (1999), Journey to Planet Earth (2003), Biography (2005), Breakfast (2010), Gyline Tider (2010), and The Innkeepers: Behind the Scenes (2012).
    What has the Golden Globe Award-nominated star been up to since then? What new projects can we expect from her this upcoming year? What new credits have she added to her filmography as of late? What happened to Kelly McGillis? Where is she now in 2017?

    Terrence Clay (@TMC1982)

    (May 12, 2017 - 8:52 pm)

    Cannes: ‘Top Gun’ Star Kelly McGillis to Play Midwest Crime Queen in ‘Annie Cook’ (EXCLUSIVE)


    (July 9, 2017 - 11:10 am)

    Time for a birthday gallery!

    Nonno Ono

    (October 2, 2017 - 7:23 pm)

    I very much enjoy your What the Hell Happened series. Thanks a bunch!


      (October 2, 2017 - 7:32 pm)

      Thanks for reading!

    Terrence Clay (@TMC1982)

    (February 1, 2018 - 2:00 am)

    Kelly McGillis
    For much of the ’80s, Kelly McGillis was one of the hottest, most in-demand actresses in Hollywood. She has a terrific debut in Reuben, Reuben (1983). That was Tom Conti’s movie, he was rightly nominated for a Best Actor Oscar as the depressed alcoholic writer, but as great as he was the true find in the production was the twenty-six-year-old McGillis. Her next film was Witness (1985), another Oscar-nominated film that had a kind of mainstream popularity Reuben didn’t. As the Amish woman unwillingly drawn into the modern world when her young son sees a murder in the Philadelphia train station and their alliance with the big city cop (Harrison Ford) who must protect them and himself when he realizes the identity of the murderers, Kelly’s performance is charming and real, and the forbidden romance brewing between her and Ford’s characters is believable and memorable. This pretty blonde young woman from Newport Beach truly became Amish on the screen. Her next film, while no prestigious art piece, is the mega-successful Top Gun (1986) which caught a wave of Regan-era rah-rah sentiment as well as some terrificly sexy footage of fighter jets, a M-TV sensibility and soundtrack and the anointing of Tom Cruise as a box office superstar. McGillis as the civilian instructor “Maverick” woos has a sexiness completely different from the Amish woman of Witness, and although Top Gun is pretty silly stuff she lends some credibility to the romantic subplot.
    I’m sure after the back-to-back success of Witness and especially Top Gun she had no shortage of scripts to choose from. But rather than take the safe, star-building route that easy genre pictures and formula romantic comedies might have brought, she went a different way. Alan Rudolph’s quirky afterlife romance Made in Heaven (1987) and Peter Yates’ ’50s period thriller The House on Carroll Street (1988) did not even enjoy the success of Reuben, Reuben, much less the blockbuster she had been associated with. It was her next film, the drama The Accused (1988) that thrust her back into an Oscar-nominated film. Kelly pursued the film about a woman who is raped and then must suffer through another trauma when she gets involved in the legal process. McGillis had survived a brutal attack and rape committed by two men who broke into her apartment in 1982, so the subject was an important one for her. Though she was offered the role of the woman who is raped, she found it too painful to even think about playing the victim, so she took the role of the woman’s lawyer. Jodie Foster got the role of the brutalized woman and won her first Oscar for it.
    Kelly was really at the top of the business and on every director’s short list. But it was at this point in her career she turned back to the stage, starring in Shakespeare and others, and then decided even to cut back on that to raise her family (she now has two daughters). She did continue to show up in films now and again into the 1990s, but they were almost exclusively smaller independent projects and later made-for-TV movies that allowed her to spend as much time as possible with her kids rather than keep running on the Hollywood treadmill. But in the 1980s, there were fewer female stars as hot as Kelly McGillis

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