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Author Archives: jeffthewildman

Why’s It Remembered?: “All-Star”-Smash Mouth


JefftheWildman wonders why we still can’t get Smash Mouth’s “All Star” out of our heads.

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Why’s It Forgotten?: “Low” (Flo Rida)


JefftheWildman gets low with Flo Rida.

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Cheesetastic Classics: Rednex “Cotton Eye Joe”


This is how Europeans see Americans.

Jeffthewildman is bringing back Cheesetastic Classics with a look at a Swedish group that mixed a little country into their techno pop.  Are they two great tastes that taste great together?  The folksy Swedes had a novelty hit with their dance-mix version of the line-dance standard, Cotton Eyed Joe.  Where does their take on the song fit into the pantheon of cheese?  That’s for you readers to decide.

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What the Hell Happened to Movie Stars?


Jeffthewildman wonders where all the big movie stars went.

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What the Hell Happened to Skeet Ulrich?


Skeet Ulrich

In the mid-90’s Skeet Ulrich seemed like a likely candidate for heart-throb status and A-list stardom.  After making some noise in a couple of cult films, Ulrich was poised for success.  While few would deny the actor’s status as a heart-throb, movie stardom proved elusive.  These days, Ulrich has gone from dangerous teen to TV dad.

What the hell happened?

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Out Of Time: Transformers: The Movie


The title might catch people’s eye considering that even with the under-performance of Transformers: The Last Knight at the box office, Michael Bay’s franchise is still going relatively strong. But we’re not here to focus on that. No, we’re here to focus on the original Transformers movie. The 1986 animated film.

When it was released in August of 1986, it didn’t set the box office on fire the way many people were hoping it would. It opened in 14th place and was the 88th highest grossing film of that year.

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Review: All Eyez On Me


As most hip-hop fans know, two of the most famous rappers in rap history were friends turned rivals. This rivalry would lead to a war of words that may have escalated into a shooting war that cost them their lives. Of course, the rappers I’m referring to are The Notorious B.I.G (Biggie Smalls) and Tupac Shakur. A lot of times when musicians create lasting work and die young, they are destined to sooner or later get the biopic treatment.  Biggie received it in 2008 with the disappointing Notorious. Two years ago, gangsta rap pioneers NWA got one of the better biopics with Straight Outta Compton. Now it’s Tupac’s turn. The result, while not quite the full-fledged disaster a lot of reviews have made it out to be, is far closer in quality to Notorious than Straight Outta Compton.

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Worst to First: Ranking the Alien movies


In a crowded summer movie season, Ridley Scott’s latest entry in the Alien prequel series has gotten squeezed out at the box office despite decent reviews.  What does that mean for the future of the Alien franchise?  It’s hard to say at this point, but it seems like as good a time as any to rank the Alien movies from worst to first.

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Worst To First: Ranking The X-Men Movies


Hugh Jackman hung up his claws earlier this year with his final performance as Wolverine in Logan.  The ending of the Jackman-as-Wolvie era got me to thinking about the X-Men movies on the whole. How do they rank when you stack em all up together?

Here, as opposed to other series tackled in the Worst To First series, the overall quality is somewhat higher. When you add together the 10 X-Men movies , 6 are very good, two are passable and the other two are a toss-up as to which is worse. Here, we will sort out the good mutants from the bad and the ugly.  And of course, you will get to share your rankings as well.

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Review: Logan


It’s very rare that the final entry in a series is the best. For proof of that, consider Kingdom Of The Crystal Skull, The Godfather 3 or Jaws The Revenge.  However, there are exceptions to that rule. Logan, the third and final effort in the solo Wolverine trilogy, is one of those. Of the three of those released between 2009 and now, it is by far the best. Included with the X-Men movies as a whole, it ranks near the top of that as well.

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Review: Get Out


get-out

Since I saw a trailer for Get Out back in October of last year, I’ve been looking forward to Jordan Peele’s contribution to the horror genre. Knowing his background in comedy (he’s half of the duo Key And Peele, who had their sketch comedy show on Comedy Central) I expected a horror film with some humor. What it turned out to be was even better.

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The Best Albums Of 1997


1997. The year yours truly graduated high school. The year of the deaths of Princess Diana and Mother Teresa. The year Bill Clinton began his second term as president. A loose cross between the calm and the chaotic.

1997 was pretty great cinematically, an improvement over 1996, the weakest year of the 1990s. Musically though, it was a step-down. If in 1996, there was still a sense of possibility that the “alternative rock revolution” might lead somewhere, 1997 offered definitive proof that the moment had passed and all the possibilities that had leapt forth following the early 90s breakthrough had reached an impasse or petered out totally.

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Review: The Nice Guys


The Nice Guys

Shane Black may not have invented the buddy movie (Butch And Sundance were there first). But he did create the modern version of it. When Lethal Weapon, made form his script, was released in 1987, the most recent buddy cop movie of that type was 1982’s 48 Hours, which made a movie star of Eddie Murphy. The earlier film was great. But it didn’t develop a whole sub-genre. Lethal Weapon did. It also launched the career of its screenwriter.

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