Category Archives: TV
Kevthewriter wonders whatever happened to Amanda Bynes.
Fear the Walking Dead is getting the band back together. “La Serpiente” continues the reunion that started with the midseason premiere. Come hell or high water, Madison is going to cross paths with Victor and Daniel because apparently the plot demands it. Last week, Madison discovered that the range was critically low on water. She and Walker went to bargain for H20, but ended up buying Strand’s freedom after bumping into him by coincidence. Better still, Strand knew where they could find plenty of water because he had been to the dam Daniel took over in the first half of the season.
Kevthewriter kicks off his look at movies you can watch on Netflix with a review of The Ridiculous Six.
Fear the Walking Dead is back and dumber than ever! Having spent the summer basking in the weirdness of Twin Peaks, I didn’t recap much of the first half of the show’s third season, so let’s quickly get up to speed. Madison and her family were taken prisoner by a military psychopath who was killing people for “science”, but mostly for fun. They joined forces with the little lunatic at his daddy’s survivalist ranch. Surprise, surprise, daddy was a casually racist gun not of the Cliven Bundy variety.
Twin Peaks has ended again. When the original series came to a close over a quarter of a century ago, many fans – myself included – were upset by the show’s dark, uncertain non-conclusion. This revival – rare even in a pop culture landscape dominated by reboots, prequels, sequels and all other manner of recycled ideas – offered David Lynch and the audience the chance to go back and retroactively fix the past. Or so it seemed. On some level, that’s what a lot of us wanted. That’s part of what I know I wanted. Lynch knew I wanted it too, so offered it up as a possibility in the show’s second-to-last hour before smashing it to pieces and blowing the whole thing up with another ending that refuses to bring closure. “Is it future or is it the past?” I have no idea, but Twin Peaks: The Return was as frustrating and fascinating as ever.
This is the episode we have been waiting for. The penultimate episode of Twin Peaks: The Return moves all the pieces in place for next week’s two-hour finale. The most important piece of all, Agent Dale Cooper, is finally back! Despite the fact I have been waiting for more than fifteen hours for this to happen, the reveal was surprisingly rewarding. The wait, which tested the patience of many a viewer, made the return which was promised in the season’s title that much sweeter.
As much as it saddens me to say it, we’re reaching the final hours of Twin Peaks: The Return. This episode begins the difficult process of wrapping up a story that began more than twenty-five years ago. Part 15 moved a few pieces in place for the final act, but it also offered some very satisfying conclusions. The hour started off with a rare, unabashed happy ending for two characters who have waited a very long time for their happily ever after.
In late June of last year I took advantage of some free days to visit my Mother in Virginia for her birthday. It was a fun long weekend that included meals out, a screening of Finding Dory, and an unexpected shared activity when I ran across a puzzle in the book store that was just too good to pass up. It consists of thirty-nine posters from a wide variety of classic films stretching from the silent era of the 1920s into the 1970s. It was an engrossing project to undertake alongside my Mother and we naturally discussed several of the featured movies as we built it. What stunned me a little was that I had actually only seen twenty-six of the thirty-nine films honored. I have vowed to fill these gaps in my knowledge of film and take you along for the ride as I reconstruct the puzzle in question. I’ll re-watch the movies I’ve already seen along with experiencing the ones that are new to me and share my thoughts on each one.
I want to start off this installment in the series by admitting up front that our host Lebeau probably has a stronger and more personally informed take on this particular piece of pop culture. I fully expect he will share some of that in the comments section. Although I did grow up with reruns of the Adam West Batman television show running repeatedly on a variety of stations, I ended up both a Marvel guy and someone who took superhero stories just a little more seriously than this version of the “Caped Crusader” ever did. At the same time, if you ever want to participate in a fully tiresome example of “old man yells at cloud,” you might consider engaging me in a discussion on the merits of the “edgy” tone comic books have taken on in the intervening years. The long term reaction of the art form to what it perceived as its undeserved goofy and childish reputation appears to have resulted in a swing way too far in the other direction. The 1960s television Batman is often cited by those who resent the dismissive attitudes many people held toward sequential art.
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With only five hours left to go (four remaining after this installment), Twin Peaks: The Return has entered its endgame. The pace is picking up as Lynch begins paying off plot lines that were set up in the early episodes. This hour was filled with more head-scratching “did I just see what I think I saw” moments than most. As Lynch got down to the business of ending his story, this was an episode about story-telling.
For much of the 1990’s, Jonathan Taylor Thomas was a TV star. The child actor even threatened to make the jump to movies for a bit, but his big screen efforts were less successful. Eventually Thomas left Home Improvement to focus on his education. Ever since, he has remained mostly out of the Hollywood spotlight. This profile from the August 1997 issue of Movieline took place when Thomas still seemed like he might be a movie star. But even at fifteen, Thomas seemed like he was ready to enjoy some privacy.
Last week’s episode suffered from a deficiency of Kyle MacLachlan. Twin Peaks: The Return‘s thirteenth hour makes up for that with a double dose of its leading man. Like a slice of cherry pie with a cup of black coffee, this episode served up MacLachlan as sweet Dougie Jones and bitter Dark Cooper. These two opposing forced have been on a collision course since the season premiere and this hour brought them incrementally closer to impact.
At long last, Audrey Horne has returned! Fans who have been clamoring for the character to appear on the new season of Twin Peaks can put down their pitchforks and stop storming the Black Lodge. But I suspect that these fans might not be happy with the 21st century incarnation of their favorite character. The playful girl we fell in love with has returned as a bitter middle-aged woman who harangues her husband when he doesn’t want to help her search for her missing lover. This person is barely recognizable as the girl who once tied cherry stems in knots. David Lynch gave fans what they said they wanted, but not in the way they wanted it.
A lot of things have changed in the two and a half decades since the end of the original Twin Peaks. But a lot of things remain the same as well. Agent Cooper may not be himself, but he still enjoys a slice of damn good cherry pie. After a forkful of fruity goodness, you could see his taste-buds igniting resulting in yet another minor reawakening within dormant part’s of Cooper’s brain. One piece at a time, Agent Cooper is being reassembled, but who will he be when he finally returns? Surely twenty-five years in the Black Lodge and living another man’s life will change Agent Cooper despite his persistent love of baked goods and coffee.