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Building My movie Posters Puzzle: A Night at the Opera


In late June of last year I took advantage of some free days to visit my Mother in Virginia for her birthday. It was a fun long weekend that included meals out, a screening of Finding Dory, and an unexpected shared activity when I ran across a puzzle in the book store that was just too good to pass up. It consists of thirty-nine posters from a wide variety of classic films stretching from the silent era of the 1920s into the 1970s. It was an engrossing project to undertake alongside my Mother and we naturally discussed several of the featured movies as we built it. What stunned me a little was that I had actually only seen twenty-six of the thirty-nine films honored. I have vowed to fill these gaps in my knowledge of film and take you along for the ride as I reconstruct the puzzle in question. I’ll re-watch the movies I’ve already seen along with experiencing the ones that are new to me and share my thoughts on each one.

Following last week’s inspection of the great transatlantic comedy duo Laurel and Hardy, comes one of the most highly praised efforts of the even more famous American immigrant comedy team, the Marx Brothers. Although there were five different brothers who joined the act at different times, the three most well-known show off the true depth and versatility of their talents in A Night at the Opera, an expression of sheer unadulterated entertainment. As is often the case with comedy, it is difficult to write a lot about this movie specifically without risking taking the air out of it. I’ll cover some of the background for the production and the history of the brothers in general, but to get a real sense of the thing, you’ll want to search out A Night at the Opera for your own viewing pleasure. It is one of those movies that it is entirely possible to smile all the way through.
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Building My Movie Posters Puzzle: The Painted Veil


In late June of last year I took advantage of some free days to visit my Mother in Virginia for her birthday. It was a fun long weekend that included meals out, a screening of Finding Dory, and an unexpected shared activity when I ran across a puzzle in the book store that was just too good to pass up. It consists of thirty-nine posters from a wide variety of classic films stretching from the silent era of the 1920s into the 1970s. It was an engrossing project to undertake alongside my Mother and we naturally discussed several of the featured movies as we built it. What stunned me a little was that I had actually only seen twenty-six of the thirty-nine films honored. I have vowed to fill these gaps in my knowledge of film and take you along for the ride as I reconstruct the puzzle in question. I’ll re-watch the movies I’ve already seen along with experiencing the ones that are new to me and share my thoughts on each one.

When I set this task for myself, there were obviously some of the included films that I had already seen and there were some others which I had yet to experience. Of the latter group, my anticipation in tackling them has varied for a range of reasons. A movie like For Whom the Bell Tolls comes with its own attached literary and historical interests beyond the content of the actual film. Meanwhile, something like Tarzan the Fearless was an opportunity to consider a character whose wild popularity has mostly dissipated in the intervening years. This time around, the primary interest was in getting an additional look at a legendary film actress: one Great Garbo.
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Building my Movie Posters Puzzle: American Graffiti


In late June of last year I took advantage of some free days to visit my Mother in Virginia for her birthday. It was a fun long weekend that included meals out, a screening of Finding Dory, and an unexpected shared activity when I ran across a puzzle in the book store that was just too good to pass up. It consists of thirty-nine posters from a wide variety of classic films stretching from the silent era of the 1920s into the 1970s. It was an engrossing project to undertake alongside my Mother and we naturally discussed several of the featured movies as we built it. What stunned me a little was that I had actually only seen twenty-six of the thirty-nine films honored. I have vowed to fill these gaps in my knowledge of film and take you along for the ride as I reconstruct the puzzle in question. I’ll re-watch the movies I’ve already seen along with experiencing the ones that are new to me and share my thoughts on each one.

Funny how powerful nostalgia can be, even when it’s not for something that’s directly your own. In the case of George Lucas’ 1973 film American Graffiti, it certainly doesn’t hurt that the characters themselves are pretty darned sentimental to begin with. Curt (Richard Dreyfuss) and Steve (Ron Howard) are recent high school graduates on their last night at home before they’re supposed to fly away to college and the film as a whole serves as an inspection of transitions personally and societally. Set in 1962, this is a movie full of people who have not yet heard of The Beatles and are still playing out the routines and styles that had been established in the late 1950s. Enough so, that if you ask a bunch of people who haven’t seen the movie for a while, they probably think it’s set earlier than it is. Let’s investigate the unique sentimentality and nostalgia of a movie that was actually pretty revolutionary for its time.
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Building My Movie Posters Puzzle: The Bride of Frankenstein


In late June of last year I took advantage of some free days to visit my Mother in Virginia for her birthday. It was a fun long weekend that included meals out, a screening of Finding Dory, and an unexpected shared activity when I ran across a puzzle in the book store that was just too good to pass up. It consists of thirty-nine posters from a wide variety of classic films stretching from the silent era of the 1920s into the 1970s. It was an engrossing project to undertake alongside my Mother and we naturally discussed several of the featured movies as we built it. What stunned me a little was that I had actually only seen twenty-six of the thirty-nine films honored. I have vowed to fill these gaps in my knowledge of film and take you along for the ride as I reconstruct the puzzle in question. I’ll re-watch the movies I’ve already seen along with experiencing the ones that are new to me and share my thoughts on each one.

Last year I covered the first installment in Universal’s Frankenstein series starring Boris Karloff and Colin Clive and now, with both represented on my puzzle, it’s time to take a look at the 1935 follow-up Bride of Frankenstein. The film has been, especially in later years, widely considered to be superior to the classic original and as director James Whale’s masterpiece. Critics Richard Schickel and Richard Corliss of Time Magazine made this declaration in 2005 as part of the publication’s “All Time 100 Movies” series. The same opinion has been expressed subsequently by high-profile sources such as Entertainment Weekly, The Boston Herald, and Playboy. But is this an easily affirmed estimation of its merits, or is there a more complicated answer to the question? Join me as I share some information about the film’s production and qualities along with my own experience in giving it a few viewings.

Warning- There will be spoilers for Bride of Frankenstein in this article
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Building My Movie Posters Puzzle: Rear Window


In late June of last year I took advantage of some free days to visit my Mother in Virginia for her birthday. It was a fun long weekend that included meals out, a screening of Finding Dory, and an unexpected shared activity when I ran across a puzzle in the book store that was just too good to pass up. It consists of thirty-nine posters from a wide variety of classic films stretching from the silent era of the 1920s into the 1970s. It was an engrossing project to undertake alongside my Mother and we naturally discussed several of the featured movies as we built it. What stunned me a little was that I had actually only seen twenty-six of the thirty-nine films honored. I have vowed to fill these gaps in my knowledge of film and take you along for the ride as I reconstruct the puzzle in question. I’ll re-watch the movies I’ve already seen along with experiencing the ones that are new to me and share my thoughts on each one.

I want to mention two things before we proceed beyond the break to a discussion of Alfred Hitchcock’s 1954 suspense film Rear Window. First of all, I should let you know that discussion will necessarily include some spoilers for the movie, so if you haven’t seen it I would recommend that you go rectify that situation (it’s available for rent through iTunes) and then come back to read the rest of this article. It’s an immensely engaging and electrifying movie that any film buff should have under his or her belt.

Secondly, I have to say that the version of the poster for Rear Window included in the puzzle which is the inspiration for this entire series is pretty far from my favorite.
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Building My Movie Posters Puzzle: Attack of the 50 Foot Woman


In late June of last year I took advantage of some free days to visit my Mother in Virginia for her birthday. It was a fun long weekend that included meals out, a screening of Finding Dory, and an unexpected shared activity when I ran across a puzzle in the book store that was just too good to pass up. It consists of thirty-nine posters from a wide variety of classic films stretching from the silent era of the 1920s into the 1970s. It was an engrossing project to undertake alongside my Mother and we naturally discussed several of the featured movies as we built it. What stunned me a little was that I had actually only seen twenty-six of the thirty-nine films honored. I have vowed to fill these gaps in my knowledge of film and take you along for the ride as I reconstruct the puzzle in question. I’ll re-watch the movies I’ve already seen along with experiencing the ones that are new to me and share my thoughts on each one.

This puzzle sure has a lot of genre and “B” pictures represented, doesn’t it? It’s sort of a mixed bag, including the aforementioned populist fare alongside Oscar bait pictures, classic comedians, and yes some truly great films. Aside from pointing out that there’s nothing here from after the 1970s, you can’t really complain that it isn’t trying to be genre inclusive. Today we’re looking at a movie that, in my personal experience, is actually more famous for its poster than for the film it was created to promote. During my twenties I seem to remember this poster cropping up on the walls of plenty of my female friends’ apartments. I’m not sure how many of them had actually seen the movie, but the poster in itself could certainly be interpreted as an expression of female strength. Being that it was written, directed, and produced by men in 1958, I don’t think it should be much surprise that Attack of the 50 Foot Woman doesn’t quite live up to its iconic advertisement’s implied promises.
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Building My Movie Posters Puzzle: Citizen Kane


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In late June I took advantage of some free days to visit my Mother in Virginia for her birthday. It was a fun long weekend that included meals out, a screening of Finding Dory, and an unexpected shared activity when I ran across a puzzle in the book store that was just too good to pass up. It consists of thirty-nine posters from a wide variety of classic films stretching from the silent era of the 1920s into the 1970s. It was an engrossing project to undertake alongside my Mother and we naturally discussed several of the featured movies as we built it. What stunned me a little was that I had actually only seen twenty-six of the thirty-nine films honored. I have vowed to fill these gaps in my knowledge of film and take you along for the ride as I reconstruct the puzzle in question. I’ll re-watch the movies I’ve already seen along with experiencing the ones that are new to me and share my thoughts on each one.

Okay, so this is a pretty big one, right? For decades now, Orson Welles’ Citizen Kane has been one of the ultimate go-to answers amongst film critics and aficionados when asked about what is The Greatest Film of All Time. It has, in fact, held down the top spot on multiple high profile lists, including the American Film Institute’s top 100 lists of both 1998 and 2007 and for forty years in the critics Sight and Sound poll. Just last year, the movie was again pronounced the greatest American film of all time by a poll of critics from the BBC. Roger Ebert included it in his unranked list of his top ten films. For quite some time it was just the standard answer to the question, as if it was a foregone conclusion. But time is a funny thing, and Citizen Kane has actually gone through a wide re-evaluation…or two.
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Building My Movie Posters Puzzle: The Phantom of the Opera


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In late June I took advantage of some free days to visit my Mother in Virginia for her birthday. It was a fun long weekend that included meals out, a screening of Finding Dory, and an unexpected shared activity when I ran across a puzzle in the book store that was just too good to pass up. It consists of thirty-nine posters from a wide variety of classic films stretching from the silent era of the 1920s into the 1970s. It was an engrossing project to undertake alongside my Mother and we naturally discussed several of the featured movies as we built it. What stunned me a little was that I had actually only seen twenty-six of the thirty-nine films honored. I have vowed to fill these gaps in my knowledge of film and take you along for the ride as I reconstruct the puzzle in question. I’ll re-watch the movies I’ve already seen along with experiencing the ones that are new to me and share my thoughts on each one.

There have been multiple versions of this story put to film, but unless you’re a huge musical theatre dork, Lon Chaney’s version is by far the iconic one. Despite its relatively modest success at the box office, 1925’s The Phantom of the Opera created enough public interest to motivate  a re-release with sound added five years later (Chaney was then under contract at MGM so he was unable to add his voice to this lost “talkie” version). Universal was so encouraged by the film’s notoriety, in fact, that they launched a long stream of horror and monster-related movies such as Bela Lugosi in Dracula, Boris Karloff in Frankenstein and The Mummy, and The Wolf Man which starred Chaney’s own son in the lead. These films would become the calling card for the studio for years to come. The path to this sort of cultural influence was a rough one for The Phantom of the Opera, though.
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Building my Movie Poster Puzzle: Gone With the Wind


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In late June I took advantage of some free days to visit my Mother in Virginia for her birthday. It was a fun long weekend that included meals out, a screening of Finding Dory, and an unexpected shared activity when I ran across a puzzle in the book store that was just too good to pass up. It consists of thirty-nine posters from a wide variety of classic films stretching from the silent era of the 1920s into the 1970s. It was an engrossing project to undertake alongside my Mother and we naturally discussed several of the featured movies as we built it. What stunned me a little was that I had actually only seen twenty-six of the thirty-nine films honored. I have vowed to fill these gaps in my knowledge of film and take you along for the ride as I reconstruct the puzzle in question. I’ll re-watch the movies I’ve already seen along with experiencing the ones that are new to me and share my thoughts on each one.

Obviously, this is one of the most famous and iconic American films ever made. Even if you’ve never sat down and watched Gone With the Wind from start to finish, you are probably familiar with it and know a little about the story, cast, imagery, or lines. Margaret Mitchell’s novel of the same name was an enormous success when it was released in 1936, becoming a million-seller rather quickly despite being  highly priced for the time at three dollars. There was so much anticipation for the film version, in fact, that when work on the script dragged out the film’s producer David O Selznick was able to milk the delay for additional publicity by announcing a nationwide casting call for the central role of Scarlett O’Hara. Big stars such as Katherine Hepburn, Joan Crawford, and Lana Turner were considered for the part, but eventually it went to the relative unknown British actress Vivien Leigh after she made a trip along with Lawrence Olivier to America and arranged a chance meeting with Selznick. Clark Gable was always the number one choice to play Rhett Butler, but a good deal of bargaining with MGM had to be done to secure his services. Gone with the Wind would go on to break box office records and win eight competitive Academy Awards. That’s all been well-detailed elsewhere, but I want to take a different angle if you’ll follow me past the break.
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Building my Movie Posters Puzzle: Creature From the Black Lagoon


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In late June I took advantage of some free days to visit my Mother in Virginia for her birthday. It was a fun long weekend that included meals out, a screening of Finding Dory, and an unexpected shared activity when I ran across a puzzle in the book store that was just too good to pass up. It consists of thirty-nine posters from a wide variety of classic films stretching from the silent era of the 1920s into the 1970s. It was an engrossing project to undertake alongside my Mother and we naturally discussed several of the featured movies as we built it. What stunned me a little was that I had actually only seen twenty-six of the thirty-nine films honored. I have vowed to fill these gaps in my knowledge of film and take you along for the ride as I reconstruct the puzzle in question. I’ll re-watch the movies I’ve already seen along with experiencing the ones that are new to me and share my thoughts on each one.

Up to this point in my coverage of this visual celebration of classic movies, what we’ve seen have been largely either legendarily great films, or top-notch examples of genre forms. Even something like Pillow Talk holds a significant place in the history of the romantic comedy and still stands as an excellent example of that kind of movie. Today’s entry Creature From the Black Lagoon, though plenty famous and possessing of some admirable qualities here and there is the first of a few flicks that will be part of this project which will mostly be considered memorable as just being fun.
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Building My Movie Posters Puzzle: Guess Who’s Coming to Dinner


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In late June I took advantage of some free days to visit my Mother in Virginia for her birthday. It was a fun long weekend that included meals out, a screening of Finding Dory, and an unexpected shared activity when I ran across a puzzle in the book store that was just too good to pass up. It consists of thirty-nine posters from a wide variety of classic films stretching from the silent era of the 1920s into the 1970s. It was an engrossing project to undertake alongside my Mother and we naturally discussed several of the featured movies as we built it. What stunned me a little was that I had actually only seen twenty-six of the thirty-nine films honored. I have vowed to fill these gaps in my knowledge of film and take you along for the ride as I reconstruct the puzzle in question. I’ll re-watch the movies I’ve already seen along with experiencing the ones that are new to me and share my thoughts on each one.

Just two moves to the right of The Graduate (1967) on my movie posters puzzle is another well-known movie from the same iconic year in American history. This one stars three Academy Award winners and is also set in the San Francisco area. It’s also a reminder that the sexual revolution of the era which is so often associated with the peace and love hippie movement going on just a few neighborhoods over from where the action of this film takes place was a much wider phenomenon than that. The expanding presence of young women in the professional world combined with the advent and wide availability of effective birth control had an effect across a large range of populations. The script for Guess Who’s Coming to Dinner touches this in only the gentlest of ways, but its social concerns are much more focused on another issue of the time which has, unfortunately, not shown anywhere close to the progress its characters appear to think it will.
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Building my Movie Posters Puzzle: For Whom the Bell Tolls


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In late June I took advantage of some free days to visit my Mother in Virginia for her birthday. It was a fun long weekend that included meals out, a screening of Finding Dory, and an unexpected shared activity when I ran across a puzzle in the book store that was just too good to pass up. It consists of thirty-nine posters from a wide variety of classic films stretching from the silent era of the 1920s into the 1970s. It was an engrossing project to undertake alongside my Mother and we naturally discussed several of the featured movies as we built it. What stunned me a little was that I had actually only seen twenty-six of the thirty-nine films honored. I have vowed to fill these gaps in my knowledge of film and take you along for the ride as I reconstruct the puzzle in question. I’ll re-watch the movies I’ve already seen along with experiencing the ones that are new to me and share my thoughts on each one.

This is one of the movies I have looked forward to seeing since setting this task for myself. For Whom the Bell Tolls is a toweringly famous novel, but the film version has faded from the public mind over the intervening decades. Come with me as I discuss my viewing of this forgotten curiosity.
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Building My Movie Posters Puzzle: The Wizard of Oz


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In late June I took advantage of some free days to visit my Mother in Virginia for her birthday. It was a fun long weekend that included meals out, a screening of Finding Dory, and an unexpected shared activity when I ran across a puzzle in the book store that was just too good to pass up. It consists of thirty-nine posters from a wide variety of classic films stretching from the silent era of the 1920s into the 1970s. It was an engrossing project to undertake alongside my Mother and we naturally discussed several of the featured movies as we built it. What stunned me a little was that I had actually only seen twenty-six of the thirty-nine films honored. I have vowed to fill these gaps in my knowledge of film and take you along for the ride as I reconstruct the puzzle in question. I’ll re-watch the movies I’ve already seen along with experiencing the ones that are new to me and share my thoughts on each one.

We’re picking up here with a movie that was released eleven years after The Man Who Laughs, the fascinating piece of expressionist melodrama which was my first installment. Most obviously, The Wizard of Oz is a much more famous movie; one of the most famous and iconic pieces of film ever made, in fact. What is just as stunning is the extreme technological advances in the art form. Between 1928 and 1939, both full sound and color had become available to filmmakers. That’s an amazing leap forward that has helped to make The Wizard of Oz an enduring classic even for modern audiences who are used to things like widescreen presentation, 3D, and computer generated special effects. I can’t imagine those same audiences would sit still for a version of Dorothy and friends which was black and white all the way through and was absent the film’s famous songs. The technology of film sure hasn’t moved that much since 2005.
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