Thirty years ago, the biggest producer in Hollywood teamed with a legendary director, a pop icon and the industry leader in family entertainment to develop the most expensive movie ever made (in terms of cost per minute). In 1986, it didn’t get much bigger than George Lucas, Michael Jackson and Francis Ford Coppola working hand in hand with Disney. They made Captain Eo, a 3-D music video that would show in Disney theme parks for a decade. In 2010, following the death of its star, Captain Eo played a return engagement. Despite questionable quality, Captain Eo endures.
At the time of its debut, Starlog ran an extensive cover story on the new attraction in their quarterly Cinemagic Magazine. If you ever wanted an in depth look at Captain Eo, this is it.
Today’s Disney fans are waiting in anticipation for news on the upcoming Star Wars projects opening in Disneyland and Walt Disney World. In 1987, Starlog Magazine published a two-part article covering the first Star Wars attraction, Star Tours. Star tours opened that year in Anaheim and made its Orlando debut two years later. In 2011, both simulator attractions were upgraded with 3-D and multiple scenes that are shown randomly. Here’s a look at the first time Star Wars came to Disney.
George Lucas was the first filmmaker I had ever heard of. I was six years old when Star Wars was released in 1977. The movie became a year-long quest for my young self. While every kid I knew was seeing Star Wars over and over again, I had to make due with the reflected glory of the merchandise. Everything I knew about Star Wars came from cheap packs of trading cards. The kind that used to come with pink, cardboard like “gum”. The cards included behind the scenes pictures and stories which were my introduction to the making of movies.
When I finally saw the movie at a drive-in movie theater in 1978, well, it blew my mind. Despite the fact I already knew the entire story in various other forms, finally seeing Star Wars made a huge impression on me. It was then that I became a movie fan. Without Star Wars, who knows, this blog may not even exist.
Between creating Star Wars and Indiana Jones, George Lucas had a tremendous influence on my childhood. Those characters and movies were incredibly personal to me. So I was understandably excited when Lucas decided to revisit those stories decades later. Like a lot of people my age, I saw that excitement turn to disappointment when the new offerings didn’t live up to my childhood memories.
I’m not going to say that George Lucas destroyed my childhood or anything so melodramatic. But I’m not going to lie. I have felt betrayed by George Lucas more than once.
Very few movie heroes are as iconic as Indiana Jones. Many movie fans will quickly name the Indy movies as one of their favorite film series of all times. And yet, most of the Indiana Jones movies aren’t very good. Let’s rank them and see how things shake out.
Apocalypse Now is less a war movie than the greatest fever dream ever put on film. It doesn’t back away from showing how awful war is. But unlike Oliver Stone’s Platoon, it’s not a realistic depiction of Vietnam. It uses the war as a metaphorical comment on human nature much like the previous years The Deer Hunter. But in some ways it’s more effective than Cimino’s film.
This is it. We’re down to two iconic movies from the 70’s. Time to pick a winner.
If you’ve ever wondered if the wunderkind creator of Star War and Indiana Jones may have been kidknapped in the early 80s and replaced by a hack who was trying to destroy his good name, you have just been proven right!
If only this were true…
It’s rare for someone in Hollywood (or even in life) to own up to a mistake. That’s why I find it somewhat refreshing to read Shia LaBeouf’s candid remarks at Cannes last week regarding the fourth Indiana Jones film.
Fans waited almost 20 years for Indiana Jones and the Kingdom of the Crystal Skull. And in spite of a 77% fresh rating at Rotten Tomatoes at the time of this writing, it’s safe to say that a lot of fans and critics felt disappointed by the latest chapter in the franchise.